Dangerous Ideas - Fae vs. Human: Who Gets To Live In This Forest? A Guest Post By Molly Ringle

I have another awesome guest post for you this week from one of my favourite writers and people in general, Pacific Nor-Wester Molly Ringle. Molly has amassed quite a formidable CV over the past few years, writing in both the romance and fantasy genres. Molly's latest release "The Goblins Of Bellwater" has been critically acclaimed and praised for its melding of the real world and the fantastical and she has proven time and again to be nimble and adaptable across the genres she has written in. 

I recently asked Molly, if she would like to explore a dangerous idea - something that she has been wrestling with both in life and in her fiction. True to form, Molly has come through with the goods and I'm so pleased to be able to present it here for you today. 

Please do check out Molly's work and interact with her - especially if you're into tea, chocolate, perfume...and Goblins!

Molly Ringle, author (image credit Molly Ringle).

When Dean approached me with the notion of writing a post on “dangerous ideas,” my mind immediately brought up some themes that have arisen in my work-in-progress. As with my recent release The Goblins of Bellwater, this story deals with troublesome interactions between fae and humans, and also between different types of fae, and for that matter between different humans. (Nearly every novel deals with that last one, I suppose.) Even though I’m writing fantasy, the reason this idea came to mind as “dangerous” is because it unavoidably brings up the specters of colonialism and race relations—which is not at all what I intended to do. I wanted to make up paranormal adventures and escape our fractious world, for goodness’ sake. However, our world and its problems have an insidious way of slipping themselves into our fiction despite our conscious intentions.

The Goblins Of Bellwater - Available Now. (image credit Central Avenue Publishing).

In my novel-in-progress, I've created an island that, up until a certain point in history, was inhabited only by fae (faeries of many types). The fae eventually let some humans ashore and allowed them to settle there, because they found humans intriguing; they brought novelty and different culture and, for that matter, new potential lovers. However, as inevitably happens in these situations, some of the fae came to resent the growing population of humans, living upon what had been the fae’s land. And violence between the groups escalated until a truce was called, but even that truce remains precarious. (And you just know I’m going to tip it over in my story.)

On the surface, to many observers, including some of my human characters, the anti-human fae are entirely in the right: this was fae land originally. Humans should clear out. On the other hand…yes, the fae are essentially sentient forces of nature, so they are truly tied to the land, but are humans not part of nature too? If humans treat the land and their fae neighbors with respect, can’t they stay? Humans belong to the Earth too, after all. They have to live somewhere. And what of those who are the product of interbreeding, and are half fae and half human? Where do they belong? 

Goblin "Wolf Riders" (artist Adrian Smith.)

(I’m American, and my ancestors have lived here for several generations, but we’re not of Native American stock, therefore I can’t exactly say the U.S. is my “real” home. However, surely if I went to Ireland, England, Scotland, Germany, France—the lands of my ancestors—the natives of those countries would tell me I was most definitely an American and didn't belong there either. Do I and the many, many other mixed-breed, transplanted people of the world not have any “real” homeland? Do we need a real homeland, or is that in itself a dangerous idea, in that it can promote territorialism and tribalism? 

When I start putting the questions that way, I quickly see how they might qualify as controversial or dangerous—even when, honestly, I’m talking about faeries, not about different human ethnicities. I also see that I am not going to be able to answer these questions definitively, nor should I. In fact, it scares me a little, the idea of tackling themes like this, as they could easily be taken the wrong way or given interpretations I would never intend. But people say that if a project scares you, you’re probably on the right track, so I’ll keep tussling with this island and its turbulent relationships. 

The one-word theme guiding me, which I hope will keep me out of too much trouble, is “harmony.” Because that’s the only conclusion, the only goal, I can truly get behind: we are a world becoming more mixed and more mobile every day, and yes, that stirs up turbulence, not to mention it disturbs the natural ecosystem. But I can’t help believing that we can handle this; we can find a way to live together in harmony, and honor the land rather than possessively own it. 

Mind you, there are still some swamps and forests and volcanoes where highly treacherous fae live, and we might not be able to change their behavior, so you might just want to go on avoiding those.

Visit Molly Ringle here.

Tweet with Molly here.

Connect with Molly here. 

DFA. 

A Most Extraordinary School - A Look At Tompkin's School by Tabi Slick.

Tompkin's School by Tabi Slick

My rating: 4 of 5 stars

Izara Torvik thought her life was over the moment that her father sent her and her twin brother to a boarding school in the middle of nowhere Oklahoma. She soon discovers that the school is not as ordinary as she thought and finds herself thrown into a battle against her inner demons that only have one desire...the desire to kill.

Tabi Slick's first entry into her Tompkin's School series is an engaging YA adventure that evolves into a kinetic mystery with powerful paranormal elements. After a somewhat tentative start in which Slick devotes a lot to establishing her cast, the story picks up the pace becoming quite epic in its scope with plenty of action.

Her protagonist, Izara Torvik, is a young woman who is at once vulnerable and wide eyed, having been thrust from a cloistered and privileged New York existence into a totally unfamiliar Oklahoma environment. Along with her twin brother Kain, she has to find reserves of strength and resourcefulness fairly quickly in order to face the powerful and violent forces that reside within the Tompkin's School. Her growth, in particular, is appealing and satisfying to watch.

Slick's grasp of tension and mood is attractive and she is able to infuse an unpredictability into her narrative that keeps you guessing right up to the climax.

Tabi Slick's series crackles with potential and I'm really keen to see where it goes in subsequent entries. Tompkin's School For The Extraordinarily Talented is a gem.

Tabi Slick (image credit: Tabi Slick). 

Tabi Slick was born in Chanute, Kansas, and grew up in the country where she was homeschooled for the greater part of her childhood. In middle school, her family moved to Davis Oklahoma where she attended public school for several years. Here she began her writing adventure and soon the world of Tompkin's Academy came to life. After graduating from high school in 2008, she spent a few years in Puerto Rico and wound up in Texas where she graduated with a Bachelor's degree in Linguistics from the University of Texas at Arlington. She was born with an immense appreciation for literature and continues to dedicate her time to her passion of writing.

Purchase Tompkin's School here. 

Visit Tabi Slick here.

Connect with Tabi Slick here.

Tweet with Tabi Slick here.

View all my reviews

DFA.

Guest Post: Because Magic - Why I Write Fantasy & Paranormal by Molly Ringle.

This week, I'm pleased to welcome back to Dean from Australia, my Central Avenue Publishing stable mate and dear friend Molly Ringle. The next few months are gearing up to be exciting ones for us both as we prepare for the release of our respective titles. Molly's, in particular, promises to be epic as she concludes her genre bending trilogy under her Chrysomelia Stories banner with "Immortal's Spring". I've had the pleasure of following this re-imagining of Greek Mythology from the beginning and I'm excited for readers and fans to be able to get their hands on the final instalment.

So, without further ado, I'll hand you over to Molly.

DFA.

Seattle based author, Molly Ringle (image credit: Molly Ringle). 

Having just spent the better part of four years writing and editing a trilogy based on Greek mythology (Persephone’s Orchard, Underworld’s Daughter, and the upcoming Immortal’s Spring), I’ve had plenty of time to ponder why I choose subjects like gods, immortality, magic fruits, and flying ghost horses. In the world around us, there are so many complex issues and fascinating places I could write about. So why do I often forgo those in favor of writing about something that doesn’t exist? In short, why do I write fantasy? 

Books 1 and 2 of the Chrysomelia Stories by Molly Ringle (image credit: Molly Ringle).

Why does any fantasy writer do so, for that matter? I can’t speak for all of them. George R.R. Martin probably has reasons different from those of J.K. Rowling, and I bet Tolkien came at the subject differently than Madeleine L’Engle, and maybe what I say here wouldn’t hold true for any of them.

My first answer is, however, probably one of the things almost every fiction writer would say: I like to create a world where I control everything. I work through the confusions of real life by manipulating the lives of characters in meticulous detail. Sometimes I write about the so-called real world too—that is, events that we all agree could potentially happen, even though they didn’t. But other times I take my imaginary world further, into things that couldn’t happen, into fantasy and magic. Now what good does that do me?

I suppose part of it is that the restrictions of real life frustrate me—along with everyone else on Earth—on a daily basis. Why can’t we heal people instantly? Why can’t we shape-shift? Why can’t we manipulate forces of nature? Why can’t we see and talk to ghosts? Having wishes that transcend the possible is one of the poignant charms of humanity. Our species’ oldest-known stories—myths and folklore—are full of exactly those types of wildly creative scenarios. Every culture around the globe has nurtured stories like these for millennia. When I look at it anthropologically like that, I feel that by writing fantasy I’m being deeply traditional, rather than shallow, fanciful, or trendy. Fantasy has serious street cred, if dominance of the literary record counts for anything (and I’d say it should).

Writing about magic also introduces both interesting problems for the characters and unusual solutions to them. In some ways it makes things harder for me as a writer, because if we have magic at our disposal, why can’t that just fix everything? You have to come up with rules and restrictions on your magical system, and stick to them, or readers will rise up in revolt and (rightly) cry, “Unfair!” The magic should never be too easy. Easy magic that fixes everything with no cost might be a lovely daydream, but it lacks the tension and drama needed for a good plot. (As the characters on “Once Upon a Time” like to tell us approximately every fifteen minutes, “All magic comes with a price.”) (Ideally you’d add, “Dearie,” in Robert Carlyle’s delectable Scottish accent.)

However, the rules, restrictions, price, and effects of magic get to be completely zany. That’s the fun of it. Yes, this character can turn into a wolf, but never a bat or anything else; that’s just the rule. Yes, you can reverse this evil spell, but only if you accomplish these three bizarre tasks before sunrise. Sorry, but those are the conditions. Yes, you can enter and leave the supernatural realm safely, as long as you don’t eat or drink anything while you’re there, because then you’d be bound to it. Them’s the rules! 

You’ve read fairy tales; you know this is how it always goes. The magic is dreamlike in its nonsense logic, but that’s kind of why we love it. Maybe it works for us because real life doesn’t actually make very good sense either, if we’re honest, so why not turn fully surreal and flex some imagination while we’re at it? 

And, of course, I love the crazy places a fantasy setup can take us. Without giving too much away, I’ll say that there’s a twist at the end of Immortal’s Spring that’s the sort of outlandish plot device I can probably only use once in my whole career, and it can only happen because of the magic involved, and I love it. (Readers might love it too, or might just think it’s insane; we shall see!) 

I will surely sometimes take a break from these magical challenges and settle back into a novel about the real world, as I’ve done before, where I can rely on the ordinary limitations of humankind and the laws of physics. That’s comforting too, when my mind tires of the acrobatics that fantasy plots call for. But other times, as in the Persephone’s Orchard trilogy, I love slipping into the dream world and getting to explain away wondrous happenings with the excuse, “Because magic.”  

Book 3 of the Chrysomelia Stories - Coming June 2016 (image credit: Molly Ringle).

- - -

Molly Ringle is the author of the Greek mythology fantasy series that begins with Persephone’s Orchard and continues in Underworld’s Daughter. The final book, Immortal’s Spring, comes out in June 2016. She has also written ghost stories in The Ghost Downstairs and Of Ghosts and Geeks—and, to some degree, in What Scotland Taught Me. She stays within the bounds of reality (though still fiction) in her romance novel Summer Term and her dark romantic comedy Relatively Honest. She lives in Seattle with her family, is happy when it’s cool and cloudy, and gets giddy about fandom, things that smell good, and gorgeous photos of gardens.

Pre-order Immortal's Spring here.

Visit Molly Ringle here.

Molly Ringle on Goodreads here.

Tweet with Molly Ringle here.

Seeing Hayley - Previewing The Water Seer by HMC Writer.

Continuing on my path of profiling talented Australian artisans, musicians and writers, this week, I'd like to share with you a sublime scribe in Queensland based author Hayley Coates, who goes by the moniker HMC.

(image credit: HMC Writer & Cristal Bettany).

I first encountered Hayley back in 2012 when we collaborated on - and were featured in - an anthology of Australian writers called "Great Southern Land - Tales from Australia". Her contribution to that anthology was a earthy character piece titled 'Bobby, Be Good' which I regarded, at the time, as being perhaps the strongest entry in the book. 

Soon after that anthology, HMC published "White Walls" - a taut, psychological thriller set right here in Australia that, to my mind, cemented HMC as an author to watch. Her command of the genre in White Walls was gripping and it garnered universal praise for its involving story, vivid characterizations and mind bending concepts. 

(image credit: HMC Writer.)

In amongst an impressive body of subsequent short stories, anthology contributions and thought provoking essays, HMC has been working away diligently on a new project called 'The Water Seer'. And now that project is about to see an international release in digital format in September this year, with a print release to follow in October.

The Water Seer promises more of HMC's signature style that has so captivated readers to date but it also promises to showcase HMC's ability to cross genres and meander into themes and situations that are unique and fresh.

(image credit: HMC Writer.)

MOUSE is a seer. She’s had a vision of a little boy’s death, and it’s someone she knows and loves. But how could a champion, junior nipper drown in a calm ocean when he swims better than most adults?

When a strange woman comes to town, her allure is undeniable, but something is off. Mouse’s visions are frequent and vivid, children she works with go missing, and the past, present, and future blur together. Her new enemy is a Bruja Del Agua – Water Witch, who not only drowns her victims, but tortures them for eternity.

With the help of her dead Aunt Catalina, her best friend, Trent, and a Wiccan called Anna, Mouse must use her power and wit to defeat the most powerful Bruja she’s ever seen.

From her home on Queensland's Gold Coast, HMC balances her career as an author with teaching while raising her two children with her "motorbike-loving Viking" partner. HMC recounts that she writes for the pure pleasure of being able to express herself and to think critically about issues that are passionate to her. 

HMC says - "I blog about asylum seekers, gay rights, tattooed professionals, robot dancing, baby poo, and so on … you know, the juicy stuff. I’m sometimes serious, but mostly not."

There is bohemian quality to HMC that I find really attractive. Her stories challenge a literary orthodoxy, presenting people and situations that far removed from mere "paint by numbers" genre pieces. They are absorbing and thought provoking.

HMC is most definitely, an author you should know.

Visit HMC here.

Goodreads HMC here.

Connect with HMC here.

Tweet HMC here.

DFA.

The Recipient - International Teaser Trailer.

Today, I'm pleased to present the international teaser trailer for my upcoming new novel "The Recipient" which will be hitting book shelves in October. 

May I recommend that you place a pair of headphones on and crank the volume up loud to get the full effect of the pretty kick arse audio that accompanies it. Featuring music by Aberdeen based band ElevenEleven and imagery gleaned from the evocative cover art by Michelle Halket, this exclusive sneak peek gives a tantalizing glimpse of the dark world illustrated in the novel.

To celebrate this release and because I want this trailer to get in front of as many eyes as possible,  I am going to offer 3 lucky readers the opportunity to win. Up for grabs, is a signed print copy and 2 digital copies of the The Recipient. 

To be in the running to win, what I need you to do is the following: 

1. Like the video at YouTube and comment on the video at YouTube.
2. Share the video at Facebook and Twitter and tag me in your Facebook share or Twitter share, My Twitter handle is Hambledown_Road.

This competition is open until midnight on Sunday June 7th 2015. I will announce the winner here at Dean from Australia thereafter.

Now, it doesn't matter where you are in the world, you are just as eligible for the print prize as those entrants here in Australia. I will be happy to ship you a copy to your home address. 

So, I hope you will help me out. Remember to Like, comment, share and tag me across YouTube, Facebook and Twitter to be in the running to win‬.

DFA.

The Recipient - Update No. 1: Submission - The Recipient Is With My Publisher.

I've neglected the site here for a while and, for regular visitors here, I am sorry. 

In the couple of months since my last post, I have been hard at work, putting the final chapters on my new novel "The Recipient" together, before diving head-long into a series of arduous edits on the manuscript.

So what is The Recipient exactly? 

Well, without revealing too much at this point, I can say that The Recipient is a wholesale departure from my previous works. I can best describe it as a murder/mystery with a twist. It is most definitely a thriller which features action and suspense. It also features quite a nasty conspiracy which was quite a challenge putting together. As we go forward, I'll trickle out plenty of information, so just sit tight for now and know that you'll get plenty to whet your appetite.

   

Just after Christmas, I assembled a group of trusted friends and asked them if they would review the very - Very - rough draft and offer up their thoughts on it. Having slaved away in isolation for so many long months, I was losing my objectivity and desperately needed fresh sets of eyes on the project - if for nothing else than to reassure me that I hadn't gone completely off the rails with this story. 

Thankfully, the feedback was hugely constructive and helpful and I approached the editing phase eager to incorporate as much of it as I could. From a rather bloated and repetitious first draft, I have made the story much leaner and have eliminated a lot of superfluous exposition. I received some really great plot ideas that I hadn't previously considered and which enabled me to address some difficulties I had in making sense of a few points. The most important feedback I received was that the story works. Having struggled with self doubt over that very question for so long, that was the greatest relief. 

Today, as I write this, I have submitted the manuscript to my publisher Central Avenue Publishing, where we will now work together on the next phase of editing. Having completed four passes so far, I imagine there will be at least another four, though they will be a lot more focused on specific aspects of the story.

In the meantime, check back here for more frequent updates as the final stages of my journey with The Recipient unfold (subscribe to my blog in the left hand sidebar to receive updates).

The Recipient Is Coming.

DFA.  

Fist Look - Persephone's Orchard by Molly Ringle.

Accomplished author and dear friend Molly Ringle - a lady who I am proud to know through our mutual association with Central Avenue Publishing - has returned with her landmark new novel Persephone's Orchard, a thrilling re-imagining of the Greek legend of Persephone and Hades. 

The guff on the book is thus;

The Greek gods never actually existed. Did they? Sophie Darrow finds she was wrong about that assumption when she's pulled into the spirit realm, complete with an Underworld, on her first day at college. Adrian, the mysterious young man who brought her there, simply wants her to taste a pomegranate. 

Soon, though she returns to her regular life, her mind begins exploding with dreams and memories of ancient times; of a love between two Greeks named Persephone and Hades. But lethal danger has always surrounded the immortals, and now that she's tainted with the Underworld's magic, that danger is drawing closer to Sophie.

In exploring the rich body of Greek mythology in order to bring her ambitious project to life, Molly Ringle has stepped out of her comfort zone to craft a thrilling story that combines elements of that classic mythology, action and adventure and romance that is grounded in the present day Pacific North-West that Ringle portrays with great affection.

 

I was privileged to be able to act as a beta reader for Persephone's Orchard and as a result had the pleasure of reading the first full draft of the novel during it's development. My contribution focused mainly on the nuances of Adrian's character, his speech and background in New Zealand but I was immediately taken by the grandeur of the story which opens up through an unassuming beginning. The world which Molly Ringle creates is vivid and large and it quiet a delight to spend time in. 

Molly Ringle herself, explains the roots of the story and how she expanded on those to go in a different direction with the legend.

“The ancient myths usually tend to agree that Hades kidnapped Persephone, completely against her will, traumatizing her and breaking her mother Demeter’s heart,” says Ringle. “But ever since I was a teenager I wanted to see a version where Persephone loved Hades, and he loved her too. But in rewriting the myth that way, it became clear that if Hades wasn't the villain in the triangle, someone else would have to be—or nearly so.”

With an already significant buzz being generated around Persephone's Orchard, Molly Ringle can be assured of yet another runaway success to her already considerable stable of works. 

Ringle is the author of several novels including the award winning The Ghost Downstairs, Relatively Honest, and What Scotland Taught Me. She is best known for winning the Bulwer-Lytton Prize in 2010, which is a tongue-in-cheek contest sponsored by San Jose State University. Entrants are invited to compose the opening sentence to the worst of all possible novels – that is, deliberately bad. The contest is named for English novelist Edward George Bulwer-Lytton, author of the much-quoted first line, “It was a dark and stormy night.”

Persephone's Orchard is available now.

Purchase Persephone's Orchard here.

Connect with Molly Ringle here.

Tweet with Molly Ringle here.

DFA.

Delving Into Destiny - Carlyle Labuschagne & The Broken Series.

I've been keen to feature South African native, Carlyle Labuschagne for a while now and, with the international release this past week, of her début novel in what is to become a three part cycle called "The Broken Series", I really wanted to help create a buzz around this exciting new talent.

Carlyle first came to my attention via author Lisette Brodey, who featured her at The Swansea Herald last month and I was immediately struck, not only by Carlyle's enthusiasm and drive, but also by the visual style that she incorporates into her writing. Carlyle shared some beautiful photographic examples, taken by her, which were resplendent with colour and life and I connected with the similar process that I have employed to imbue my own writing with a visual quality. I think that giving to the reader, something that will touch off intense visual cues readily, is an important skill that is a key quality in good writing.

So to Carlyle herself.  Born and raised in South Africa, Carlyle discovered her love of words early and describes writing a poem at aged 12 that was the catalyst for a life long commitment to writing. Through college, where she received a Diploma in Novel Writing and into adulthood, Carlyle continued to hone her craft, cognisant of her dream to develop a significant project that would allow her to achieve her dream of publishing.

That project, The Broken Series, has now come to fruition. Carlyle's first book "The Broken Destiny" was released internationally this month and both she and her novel - described as a rich, dystopian sci-fi fantasy - have been making a big impression. 

Ava is the great granddaughter of the founder of their kind: The Broken were genetically enhanced to survive evolution during the last years on earth, after which their experiments were abandoned and they moved to a distant star, Poseidon. Ava carries a secret journal that one belonged to her mother, which leads her to believe that her people are not what they seem. 

Ava has to decipher her mother's rantings in the journal, differentiating truth from madness to determine The Broken's true identities and origins. A few of The Broken will soon experience a "change," and each generation's change differs from the previous. (Ava's generation has been labelled the make it or break it generation.) Weeks before Ava's seventeenth birthday, an attempted kidnapping by Zulu warriors changes her destiny forever. Saved by a Minoan boy, she is taken back to his village where all the lies about her kind's existence (and how they came to be exiled to planet Poseidon) are brought to light. The Minoans are an ancient race that carries a secret tying in with Ava's prophesied destiny. Her destiny is to rise above the fall, to become what she hates to save them all.

"The Broken Destiny" is a richly constructed tale, brimming with detail and narrative that draws upon classic elements of fantasy, which Carlyle has skilfully re-imagined into her own signature brand. Her characters display a dynamism and voice that are accessible and visual. They are easy to invest in and one can really foster a relationship with them - which is important as the trilogy advances. Their individual arcs are established very well and they feed from the protagonist, Ava, effortlessly. Added to the characters are the cross currents of dystopian, fantasy and science fiction genres which Carlyle manages with a deft hand. Blurring the genre lines can be quite challenging and not always successful. It requires patience and balance. That Carlyle succeeds generously here, is testament to her skill as a word smith and stylist. 

The visual qualities of the narrative are inescapable here and it is to Carlyle herself that I refer via an informal email chat about her use of imagery, among other things, in her writing.

I use many tools to stimulate the creative process. My number one is of course music. Images are a necessity. One picture can spawn an entire novel on its own. A world lies within one moment captured in that image. 

My writing process centers and unfold around three things. One the book title or title chapter - I write around that and try to keep to the theme. Two the feel of the music kind of juices the mood of the scene out for me. Three and image - draws out the creativity and focus towards where I am going, what I am feeling, there are details in images, music and words that bring my writing to life in ways other things cant.

On it's own "The Broken Destiny" stands as a compelling piece of dystopian literature that carries quality, drama and adventure effortlessly across the pages. As the first instalment of the eventual three book cycle, it leaves the reader excited for more from this universe. It is a considerable achievement.

"The Broken Destiny" can be purchased right now from Amazon.

Readers can connect with Carlyle Labuschagne at her Official Site.

Carlyle's Facebook Portal can be clicked to here.  

DFA.