I'm back with a post as part of my writers' group August blog chain challenge and, this month, the topic put to us was a question - Why is it important to be creative?
At first glance, the question appears fairly easy to answer doesn't it.
However, I struggled to come up with an adequate answer and, for the longest time, I couldn't figure out why. It eventually struck me that I was trying to answer the question by looking outward - as though trying to impart reasons why anyone should be creative. But, that's the wrong way to tackle it. Creativity is a very personal thing and it can take so many different forms. The relationship one has with creativity is unique. It goes then, that any consideration of its importance requires that one look inward, rather than outward. So why is creativity important to me?
My love of writing began at an early age. I've often said my Grade 3 primary school teacher, Mrs. Furnell, was the individual who unlocked my creative streak during the creative writing sessions she used to run in class. Ever since then, my desire to create, to tell stories has been insatiable. It has become as much a part of me as breathing or walking.
As a Registered Nurse, having practiced for over 20 years in many clinical areas, I have been witness to the extremes of the human condition. A lot of these experiences have been positive - like Nursing newborns who need just a little bit of help at the beginning of their lives or Nursing various bumps and scrapes children have sustained on the sporting field or in the back yard. Things that can be fixed relatively easily. Through the tears and the worry of the patient and their family, there are often smiles and laughter and comradeship. Plenty can be fixed with a Zooper Dooper icy pole.
There have been a lot of other experiences though - like being present at traumatic presentations in the ED, like motor vehicle accidents, violent assaults - sometimes involving weapons, drug overdoses. Or in the ICU - Nursing complex disease processes, the extension of those ED presentations, children who have acquired virulent illnesses like meningococcal sespsis or have been diagnosed with cancer. Many of these cases survive and recover. Many of them do not. There have been catastrophic outcomes. There has been death.
These experiences imprint on you and they do affect you.
Creativity in the form of writing has been a means to decompress, to escape the accumulated muck of that side of my life and engage with an art that is completely separate. Sometimes, I have written down vestiges of those clinical experiences simply as a means of trying to make sense of them, to remove their subjective effects from my mind and see them as objective experiences, which I can address, deconstruct and move on from. Sometimes, those experiences have found their way into my writing, which has been therapeutic in itself.
It's ironic isn't it. I've credited my Nursing as being an influence on my writing for this reason, but also because of the structure Nursing requires to practice effectively. Nursing involves an adherence to inquiry, to diagnosing, problem solving and crafting solutions. These tools are invaluable to me as writer as I sculpt stories using them in much the same way. So, while I write and create as a way to separate myself from my Nursing, my Nursing inevitably creeps across the fence.
Creativity is an antidote for a restless mind. I have a mind that is constantly working. I find it difficult to switch off. The world around me is such a vivid place and I often take in everything. I work it over, consider objects, smells, tastes, experiences. I ask myself questions, analyze, ponder. The noise in my head can, sometimes be deafening and it can be distressing.
Writing is a means for me to unpack my mind and get things out so that I can become an observer of ideas, rather than a participant in them - does that make sense? Having a creative process, a method if you will, that is structured and coherent allows me to work ideas into a pre-existing project or catalog them for a future one. I've come to regard even the most disparate ideas as valuable. They are as tangible to me as a flower or a leaf, a Star Wars figurine or a piece of fruit.
Creativity, for me, is a means of maintaining mental well being as much as it is a satisfying pursuit of story telling.
I'm sure I could explore other reasons why it is important, for me, to be creative but I think these two top the list. They represent the two greatest influences on me as a writer and also as a person.
So, what about you? Why is it important for you to be creative? Let me know in the comments.
DFA.
Showing posts with label #authorsyoushouldknow. Show all posts
Showing posts with label #authorsyoushouldknow. Show all posts
Monday, August 13, 2018
Saturday, June 2, 2018
Dangerous Ideas - The Burden of Expectation by Jennifer S. Alderson
I'm continuing my series of guest posts around Dangerous Ideas and this week, I'm pleased to welcome travel writer and author Jennifer S. Alderson to take the reins of my blog. Jennifer is a travel mystery writer whose novels visit exotic locations and conjure wonderful visuals and descriptions whilst entertaining readers with cracking mysteries that really involve you. Today, Jennifer has offered to explore the idea of fulfilling - or not fulfilling - the expectations of readers.
Is it dangerous not to fulfill reader’s expectations?
A social media conversation I had with Dean Mayes about reader’s expectations – in his case a man writing romance –made me think about my latest release and the unrealistic expectations my setting and plot may be creating for prospective readers.
My latest novel, Rituals of the Dead: An Artifact Mystery, is set in the Asmat region of Papua in the 1962 – when it was a colony of the Netherlands known as Dutch New Guinea. For virtually everyone who knows about the Asmat, headhunting is the first thing that comes to mind. Though it is true, this is only one aspect of their intricate culture.
While conducting research for an exhibition of Asmat art in the Tropenmuseum, I read many first-hand accounts written by missionaries, explorers and anthropologists working in the region when it was still a colony. The area was known as a sort Wild West – untamed wilderness and people whose spiritual beliefs were vastly different than western ones. Though several of these travel diaries describe the ferocity of tribal skirmishes and headhunting raids, what stayed with me most were the constant references to the Asmat’s shyness. These striped, feathered, bone-wearing headhunters were shy? It seemed hard to fathom, based on the usual descriptions I come across of the Asmat and the island of Papua New Guinea in general.
In my novel, you won’t find descriptions of headhunting raids or cannibalism. This wasn’t a conscious decision to be politically correct or anything like that. When I began writing Rituals of the Dead, the idea of these fierce warriors being shy kept flitting to the forefront of my thoughts. Perhaps I over compensated by not including a single passage about these practices, but they are not essential to my story. There was no reason to include such information in my book, except sensationalism. Or perhaps, to stay true to readers expectations and assumptions about the region.
I hope my portrayal of the Asmat in the early 1960s is not off-putting, and that readers come away with a broader view of the Asmat, colonial relations and the work of missionaries in the region.
I am truly curious to see how readers react to the story and my descriptions!
Authors, do you think it is dangerous to not fulfill reader’s expectations? Readers, do you enjoy reading books that challenge your assumptions about other cultures and countries?
About Jennifer:
Jennifer S. Alderson was born in San Francisco, raised in Seattle, and currently lives in Amsterdam (the Netherlands). Her love of travel, art, and culture inspires her ongoing mystery series, the Adventures of Zelda Richardson. Her background in journalism, multimedia development, and art history enriches her novels. When not writing, she can be found in a museum, biking around Amsterdam, or enjoying a coffee along the canal while planning her next research trip.
In Down and Out in Kathmandu, Zelda gets entangled with a gang of smugglers whose Thai leader believes she’s stolen his diamonds. The Lover’s Portrait is a suspenseful “whodunit?” about Nazi-looted artwork that transports readers to wartime and present-day Amsterdam. Art, religion, and anthropology collide in Rituals of the Dead, a thrilling artifact mystery set in Dutch New Guinea (Papua) and the Netherlands.
The Lover’s Portrait was Chill With A Book’s January 2018 Book of the Month and won the Silver Cup in Rosie’s Book Review Team 2017 Awards, Mystery category. It also won a Chill With A Book Readers’ Award, Readers’ Favorite 5 star medal, was one of The Displaced Nation magazine’s Top 36 Expat Fiction Picks of 2016, and came in at 14 in BookLife’s 2016 Prize for Fiction in the Mystery category. The Lover’s Portrait was also one of Women Writers, Women’s Books magazine’s Recommended Reads for April 2017.
Her travelogue, Notes of a Naive Traveler, is a must-read for those interested in learning more about – or wishing to travel to – Nepal and Thailand. It was also awarded a Readers’ Favorite 5 star medal.
Visit Jennifer S. Alderson here.
Purchase Jennifer S. Alderson's books here.
Connect with Jennifer S. Alderson here.
Tweet with Jennifer S. Alderson here.
DFA.
Is it dangerous not to fulfill reader’s expectations?
A social media conversation I had with Dean Mayes about reader’s expectations – in his case a man writing romance –made me think about my latest release and the unrealistic expectations my setting and plot may be creating for prospective readers.
Jennifer S. Alderson (image credit Fototeam.nl)
My latest novel, Rituals of the Dead: An Artifact Mystery, is set in the Asmat region of Papua in the 1962 – when it was a colony of the Netherlands known as Dutch New Guinea. For virtually everyone who knows about the Asmat, headhunting is the first thing that comes to mind. Though it is true, this is only one aspect of their intricate culture.
While conducting research for an exhibition of Asmat art in the Tropenmuseum, I read many first-hand accounts written by missionaries, explorers and anthropologists working in the region when it was still a colony. The area was known as a sort Wild West – untamed wilderness and people whose spiritual beliefs were vastly different than western ones. Though several of these travel diaries describe the ferocity of tribal skirmishes and headhunting raids, what stayed with me most were the constant references to the Asmat’s shyness. These striped, feathered, bone-wearing headhunters were shy? It seemed hard to fathom, based on the usual descriptions I come across of the Asmat and the island of Papua New Guinea in general.
In my novel, you won’t find descriptions of headhunting raids or cannibalism. This wasn’t a conscious decision to be politically correct or anything like that. When I began writing Rituals of the Dead, the idea of these fierce warriors being shy kept flitting to the forefront of my thoughts. Perhaps I over compensated by not including a single passage about these practices, but they are not essential to my story. There was no reason to include such information in my book, except sensationalism. Or perhaps, to stay true to readers expectations and assumptions about the region.
I hope my portrayal of the Asmat in the early 1960s is not off-putting, and that readers come away with a broader view of the Asmat, colonial relations and the work of missionaries in the region.
I am truly curious to see how readers react to the story and my descriptions!
Authors, do you think it is dangerous to not fulfill reader’s expectations? Readers, do you enjoy reading books that challenge your assumptions about other cultures and countries?
About Jennifer:
Jennifer S. Alderson was born in San Francisco, raised in Seattle, and currently lives in Amsterdam (the Netherlands). Her love of travel, art, and culture inspires her ongoing mystery series, the Adventures of Zelda Richardson. Her background in journalism, multimedia development, and art history enriches her novels. When not writing, she can be found in a museum, biking around Amsterdam, or enjoying a coffee along the canal while planning her next research trip.
In Down and Out in Kathmandu, Zelda gets entangled with a gang of smugglers whose Thai leader believes she’s stolen his diamonds. The Lover’s Portrait is a suspenseful “whodunit?” about Nazi-looted artwork that transports readers to wartime and present-day Amsterdam. Art, religion, and anthropology collide in Rituals of the Dead, a thrilling artifact mystery set in Dutch New Guinea (Papua) and the Netherlands.
The Lover’s Portrait was Chill With A Book’s January 2018 Book of the Month and won the Silver Cup in Rosie’s Book Review Team 2017 Awards, Mystery category. It also won a Chill With A Book Readers’ Award, Readers’ Favorite 5 star medal, was one of The Displaced Nation magazine’s Top 36 Expat Fiction Picks of 2016, and came in at 14 in BookLife’s 2016 Prize for Fiction in the Mystery category. The Lover’s Portrait was also one of Women Writers, Women’s Books magazine’s Recommended Reads for April 2017.
Her travelogue, Notes of a Naive Traveler, is a must-read for those interested in learning more about – or wishing to travel to – Nepal and Thailand. It was also awarded a Readers’ Favorite 5 star medal.
Visit Jennifer S. Alderson here.
Purchase Jennifer S. Alderson's books here.
Connect with Jennifer S. Alderson here.
Tweet with Jennifer S. Alderson here.
DFA.
Friday, March 23, 2018
Countering Resistance - A Look At Counteract by Tracy S. Lawson.
I'm always up for a compelling dystopian tale - especially one that is frighteningly possible. From the outrageous Mad Max series to the seminal cyberpunk classic Blade Runner to the oppressive The Handmaids Tale, visions of the future that play on our fears of what we see happening in the present a ripe for great storytelling. A series of books from Ohio native Tracy S. Lawson have really captured my attention this past month. Titled the Resistance series, this collection of four books follow a group of freedom fighters in a near future America that is straining under the yoke of a totalitarian regime who seek to control the population through fear and oppression.
Having completed the opening salvo in the series, "Counteract", I've moved onto book two, titled "Resist" and I am completely in thrall with Lawson's storytelling, characters and world building. For today, I'd like to showcase "Counteract" in the hopes it will whet your appetite for the series.
Two teens discover the government is staging terrorist attacks to exploit and control the public in Tracy Lawson's eerily believable YA debut novel.
In an alternate reality version of 2034, terrorist attacks on American soil continue after the events of 9/11. The Office of Civilian Safety and Defense, created in 2019 to oversee domestic security, rises to unprecedented heights of power by exploiting the people's overriding fear of terrorism.
When Tommy Bailey and Careen Catecher meet during one of the bogus terrorist attacks, they discover the OCSD's darkest secret: an antidote distributed by the government to "protect" people from the effects of imaginary toxins in the air is really being used to lull them into a state of submission.
Tommy and Careen face a difficult choice: stay quiet about what they know--or risk their safety and anonymity to join an underground rebel group that's determined to break the OCSD's grip on the nation.
Counteract explores the nature of power and the consequences and difficulties created when government attempts to control minute details of citizens' daily existence.
I found Counteract to be a taut, engaging & thrilling first entry in Lawson's Resistance series. Its alternative future setting remains anchored in our own real world so, visually, it wasn't a stretch to see it in my minds eye.
Our post 9/11 paranoia around terrorism has reached a fever pitch, and Lawson explores this and the lengths to which some will go to take advantage of a nations collective fear. Lawson's cast of characters led by the appealing, earnest and resourceful Careen and the enigmatic Tommy - a young man beset by tragedy that is intertwined in the politics of the time, Counteract moves at a crisp pace.
Its unfolding drama is rife with tension, great character moments and occasional levity that see saws effortlessly with the action. Lawson's writing style is at once accessible and she balances this with an intelligent plot and a fully realized future world that is scarily possible.
As a first entry, Counteract set me up for the subsequent entries and I'm eager to see where the series heads in Lawson's capable hands.
Once upon a time, Tracy Lawson was a little girl with a big imagination who was obsessed with telling stories. Her interests in dance, theatre, and other forms of make-believe led to a twenty-year career in the performing arts, where “work” meant she got to do things like tap dance and choreograph musicals.
Her greatest adventures in musical theatre included creating disco choreography for forty middle schoolers on roller skates in Xanadu, building cast members’ endurance during an extremely aerobic jump rope number in Legally Blonde, and wrangling a cast of amazingly enthusiastic teenaged tap dancers in Crazy For You. She can also spin plates on sticks while she tap dances. Just ask her. She’ll be happy to demonstrate!
Though teaching dance and choreographing shows was a great outlet for her creativity and boundless energy, Tracy never lost her desire to write. Faced with her only child leaving for college and her husband’s simultaneous cross-country job relocation, it seemed she’d found the perfect time to switch her focus. But fear not—she has maintained her ties to educational theatre by returning to choreograph a few shows a year at Bexley City Schools in Columbus, Ohio, so she can continue to nurture students and share her passion for putting on a great show.
The Cincinnati native now has to her credit an award-winning nonfiction history book, Fips, Bots, Doggeries, and More: Explorations of Henry Rogers’ 1838 Journal of Travel from Southwestern Ohio to New York City (McDonald & Woodward, 2012), based on the writings of her great-great-great grandfather. Pride of the Valley, a companion volume to Fips, Bots, Doggeries, and More, followed in 2017.
With the release of Revolt on July 18, 2017, Tracy's award winning YA dystopian Resistance Series is now complete. Counteract, Resist, Ignite, and Revolt chronicle the adventures of Tommy and Careen, two teens who meet during a terrorist attack and discover a conspiracy that could destroy their country.
In her spare time, she blogs about YA and classic dystopian books and hosts Between the Covers with Tracy Lawson, an author interview program on the Liberty.Me network.
Tracy, who is married with one grown daughter and two spoiled cats, splits her time between Dallas, Texas and Columbus, Ohio.
Purchase the Resistance series here.
Visit Tracy S. Lawson here.
Tweet Tracy S. Lawson here.
DFA.
Having completed the opening salvo in the series, "Counteract", I've moved onto book two, titled "Resist" and I am completely in thrall with Lawson's storytelling, characters and world building. For today, I'd like to showcase "Counteract" in the hopes it will whet your appetite for the series.
Two teens discover the government is staging terrorist attacks to exploit and control the public in Tracy Lawson's eerily believable YA debut novel.
In an alternate reality version of 2034, terrorist attacks on American soil continue after the events of 9/11. The Office of Civilian Safety and Defense, created in 2019 to oversee domestic security, rises to unprecedented heights of power by exploiting the people's overriding fear of terrorism.
When Tommy Bailey and Careen Catecher meet during one of the bogus terrorist attacks, they discover the OCSD's darkest secret: an antidote distributed by the government to "protect" people from the effects of imaginary toxins in the air is really being used to lull them into a state of submission.
Tommy and Careen face a difficult choice: stay quiet about what they know--or risk their safety and anonymity to join an underground rebel group that's determined to break the OCSD's grip on the nation.
Counteract explores the nature of power and the consequences and difficulties created when government attempts to control minute details of citizens' daily existence.
I found Counteract to be a taut, engaging & thrilling first entry in Lawson's Resistance series. Its alternative future setting remains anchored in our own real world so, visually, it wasn't a stretch to see it in my minds eye.
Our post 9/11 paranoia around terrorism has reached a fever pitch, and Lawson explores this and the lengths to which some will go to take advantage of a nations collective fear. Lawson's cast of characters led by the appealing, earnest and resourceful Careen and the enigmatic Tommy - a young man beset by tragedy that is intertwined in the politics of the time, Counteract moves at a crisp pace.
Its unfolding drama is rife with tension, great character moments and occasional levity that see saws effortlessly with the action. Lawson's writing style is at once accessible and she balances this with an intelligent plot and a fully realized future world that is scarily possible.
As a first entry, Counteract set me up for the subsequent entries and I'm eager to see where the series heads in Lawson's capable hands.
Once upon a time, Tracy Lawson was a little girl with a big imagination who was obsessed with telling stories. Her interests in dance, theatre, and other forms of make-believe led to a twenty-year career in the performing arts, where “work” meant she got to do things like tap dance and choreograph musicals.
Tracy S. Lawson (image credit: the author).
Her greatest adventures in musical theatre included creating disco choreography for forty middle schoolers on roller skates in Xanadu, building cast members’ endurance during an extremely aerobic jump rope number in Legally Blonde, and wrangling a cast of amazingly enthusiastic teenaged tap dancers in Crazy For You. She can also spin plates on sticks while she tap dances. Just ask her. She’ll be happy to demonstrate!
Though teaching dance and choreographing shows was a great outlet for her creativity and boundless energy, Tracy never lost her desire to write. Faced with her only child leaving for college and her husband’s simultaneous cross-country job relocation, it seemed she’d found the perfect time to switch her focus. But fear not—she has maintained her ties to educational theatre by returning to choreograph a few shows a year at Bexley City Schools in Columbus, Ohio, so she can continue to nurture students and share her passion for putting on a great show.
The Cincinnati native now has to her credit an award-winning nonfiction history book, Fips, Bots, Doggeries, and More: Explorations of Henry Rogers’ 1838 Journal of Travel from Southwestern Ohio to New York City (McDonald & Woodward, 2012), based on the writings of her great-great-great grandfather. Pride of the Valley, a companion volume to Fips, Bots, Doggeries, and More, followed in 2017.
With the release of Revolt on July 18, 2017, Tracy's award winning YA dystopian Resistance Series is now complete. Counteract, Resist, Ignite, and Revolt chronicle the adventures of Tommy and Careen, two teens who meet during a terrorist attack and discover a conspiracy that could destroy their country.
In her spare time, she blogs about YA and classic dystopian books and hosts Between the Covers with Tracy Lawson, an author interview program on the Liberty.Me network.
Tracy, who is married with one grown daughter and two spoiled cats, splits her time between Dallas, Texas and Columbus, Ohio.
Purchase the Resistance series here.
Visit Tracy S. Lawson here.
Tweet Tracy S. Lawson here.
DFA.
Thursday, March 22, 2018
Destiny's Power - Conversations with Elizabeth Jade, Author.
Over the past little while, I've had the pleasure of conversing with a remarkable young woman and author Elizabeth Jade. Elizabeth's debut novel "Akea - The Power Of Destiny" - a powerful tale - represents a journey we all take in life in that, in order to find our destiny, we must first find ourselves. Elizabeth has grown up with some unique challenges, requiring her to discover different methods of interacting with the world. Having found writing, Elizabeth has been able to express herself in ways that transcend the day to day. As a result, she displays a formidable talent that is well worth taking notice of.
I've invited Elizabeth to pen a piece that I'm really proud to present here this week. I hope you enjoy it.
-
I always knew I had a unique take on life, but I only found out two years ago, at the age of 18, that I had Aspergers Syndrome (an autistic spectrum disorder). People have never made sense to me. In fact, I've made a habit of avoiding contact with them as much as possible. On the other hand, I love animals; and what’s more, they love me. We understand each other on an almost telepathic level. This affinty with animals lead me into volunteering; first with horses, then dogs, and finally cats.
I've loved working with animals. It was the people that were the problem. We just didn't understand each other and at that time I didn't know about my Aspergers. My mum tried to give me some coping strategies, but I still kept getting confused and in the end I got so depressed and anxious that I couldn't keep it up.
After years of struggling, my mum insisted that I see someone about my anxiety and depression. I have to say that my experience with CAMHS (Children and Adolescent Mental Health Service) was not at all pleasant, but it was here that the possibility of Aspergers was first explored. Cats Protection then opened a re-homing centre on the edge of town and my mum spoke to them about my talents and difficulties. As it turned out, the staff understood exactly where I was coming from and they were certain that volunteering would be beneficial for me as well as the cats. They quickly dubbed me the Cat Whisperer and I gained a great deal of satisfaction from seeing pussy personalities changing, even though I mentally struggled to go in as often as I would like.
Another outlet for my depression and anxiety has been in writing stories; animal stories naturally. The stories come pre-written in my head and fight at all hours of the night to make their way onto paper. In an attempt to boost my self-confidence, my mum decided to prove how good my stories were by finding me a publisher for my book ‘Akea’- not an easy task.
Akea is a Siberian husky who was born into a family of sled dogs and a life which should have followed a predictable path, but from the day she first saw the wolf Kazakh, Akea knew her future lay beyond the safety of her home. She soon leaves her family and with the help of Kazakh and the wolf pack, she finds her inner wolf, but unexpectedly the pack turns on her, casting her out to fend for herself. After spending some time in an animal shelter where she learns the fate of her first family, she is sent to live with a new one, but when Kazakh finds her again, she willingly abandons them too and follows him. Kazakh is well aware of the reason for the wolf packs animosity, but Akea’s destiny is clear and he must make sure she is in the right place at the right time, even if it costs him his life.
My brain then went on to write book 2 and parts of books 3, 5 and 6. It seems I have as much control over what order I write in as when I write it, which isn't much, but as this was obviously planning to be a series, I added ‘The Power of Destiny’ to the first title to help me keep track of things. Cats Protection was good enough to let me have my book launch at the Re-homing Centre last summer. It was this familiar setting that enabled me to actually attend and 25% of sales on the day were donated to Cats Protection as a thank you.
Marketing is a challenge for any author, but for me it’s virtually impossible. I can’t handle any of the personal appearance methods; to be honest, I’m not up to any marketing and again it’s something my mum plays a big part in. Through our social media connections we have come across some great advice and some equally great people. We have been given the opportunity to include Akea Book 1 in a new magazine for parents and we hope this will lead to some more sales, helped to set up a newsletter and shown how to approach newspapers in a way that is more likely to get you accepted.
I still have more bad days than not so bad ones and my self-confidence is still pretty low, but I am immensely grateful to all those who continue to support me in doing the things I love most.
Purchase Akea - The Power Of Destiny here.
Visit Elizabeth Jade here.
Tweet with Elizabeth Jade here.
DFA.
I've invited Elizabeth to pen a piece that I'm really proud to present here this week. I hope you enjoy it.
-
I always knew I had a unique take on life, but I only found out two years ago, at the age of 18, that I had Aspergers Syndrome (an autistic spectrum disorder). People have never made sense to me. In fact, I've made a habit of avoiding contact with them as much as possible. On the other hand, I love animals; and what’s more, they love me. We understand each other on an almost telepathic level. This affinty with animals lead me into volunteering; first with horses, then dogs, and finally cats.
I've loved working with animals. It was the people that were the problem. We just didn't understand each other and at that time I didn't know about my Aspergers. My mum tried to give me some coping strategies, but I still kept getting confused and in the end I got so depressed and anxious that I couldn't keep it up.
Elizabeth Jade, author (image credit EJ).
After years of struggling, my mum insisted that I see someone about my anxiety and depression. I have to say that my experience with CAMHS (Children and Adolescent Mental Health Service) was not at all pleasant, but it was here that the possibility of Aspergers was first explored. Cats Protection then opened a re-homing centre on the edge of town and my mum spoke to them about my talents and difficulties. As it turned out, the staff understood exactly where I was coming from and they were certain that volunteering would be beneficial for me as well as the cats. They quickly dubbed me the Cat Whisperer and I gained a great deal of satisfaction from seeing pussy personalities changing, even though I mentally struggled to go in as often as I would like.
Another outlet for my depression and anxiety has been in writing stories; animal stories naturally. The stories come pre-written in my head and fight at all hours of the night to make their way onto paper. In an attempt to boost my self-confidence, my mum decided to prove how good my stories were by finding me a publisher for my book ‘Akea’- not an easy task.
Akea - The Power Of Destiny.
Akea is a Siberian husky who was born into a family of sled dogs and a life which should have followed a predictable path, but from the day she first saw the wolf Kazakh, Akea knew her future lay beyond the safety of her home. She soon leaves her family and with the help of Kazakh and the wolf pack, she finds her inner wolf, but unexpectedly the pack turns on her, casting her out to fend for herself. After spending some time in an animal shelter where she learns the fate of her first family, she is sent to live with a new one, but when Kazakh finds her again, she willingly abandons them too and follows him. Kazakh is well aware of the reason for the wolf packs animosity, but Akea’s destiny is clear and he must make sure she is in the right place at the right time, even if it costs him his life.
My brain then went on to write book 2 and parts of books 3, 5 and 6. It seems I have as much control over what order I write in as when I write it, which isn't much, but as this was obviously planning to be a series, I added ‘The Power of Destiny’ to the first title to help me keep track of things. Cats Protection was good enough to let me have my book launch at the Re-homing Centre last summer. It was this familiar setting that enabled me to actually attend and 25% of sales on the day were donated to Cats Protection as a thank you.
Marketing is a challenge for any author, but for me it’s virtually impossible. I can’t handle any of the personal appearance methods; to be honest, I’m not up to any marketing and again it’s something my mum plays a big part in. Through our social media connections we have come across some great advice and some equally great people. We have been given the opportunity to include Akea Book 1 in a new magazine for parents and we hope this will lead to some more sales, helped to set up a newsletter and shown how to approach newspapers in a way that is more likely to get you accepted.
I still have more bad days than not so bad ones and my self-confidence is still pretty low, but I am immensely grateful to all those who continue to support me in doing the things I love most.
Purchase Akea - The Power Of Destiny here.
Visit Elizabeth Jade here.
Tweet with Elizabeth Jade here.
DFA.
Labels:
#amreading,
#authorsyoushouldknow,
Akea - The Power Of Destiny,
animal welfare,
animals,
Aspergers Syndrome,
Dean Mayes,
dog,
Elizabeth Jade,
England,
Kindle,
print,
reading,
Sussex,
wolf,
young adult fiction
Friday, January 26, 2018
I Dreamed Of A Chateau - A Look At Le Chateau by Sarah Ridout.

My rating: 5 of 5 stars
What really happened at the chateau?
When Charlotte regains consciousness after an accident, she finds herself living a stranger’s life. The previous five years are a blank, and her husband, Henri, and daughter, Ada, are strangers. Arriving at their family chateau in southern France, she hopes to regain her memories. Instead she feels isolated and unsettled. Strange events hint at underlying darkness and menace. Charlotte doesn’t know who to trust.
Did she really have an affair with their charming Irish neighbour, as her enigmatic mother-in-law suggests? And what of Henri? He seems loving and kind, a good parent, but Charlotte is wary. Then there is Ada, a little girl who just wants her mother back.
With the help of her friend and fellow Australian Susannah, Charlotte starts to piece together events, but her newfound confidence is shaken with news that puts a deadline on her quest…
Le Chateau is a suspenseful gothic tale that will appeal to readers of Daphne du Maurier and Kate Morton.
I very quickly fell into the dream-like, gothic story scape of Sarah Ridout's "Le Château" and, by its end, I was very reluctant to leave. Told through the first person perspective of the protagonist Charlotte - who recovering from a mysterious accident that has robbed her of her memory - "Le Château" captivated me with its unfolding mystery as Charlotte struggles to rebuild her shattered life. Faced with a husband and daughter she cannot remember, and hints of darker truths she discovers in the idyllic French countryside estate her family shares, I was with Charlotte, experiencing her journey in equal measure as she. Ridouts patient story telling, her vivid visual style and her complex characterisations made this an all consuming reading experience for me - one that continues to echo long after I have finished it.
Le Château is a dream-like masterpiece.
Sarah Ridout has a Masters in Creative Writing (First Class Honours), from University College Dublin (UCD). UCD is the alma mater of James Joyce, John McGahern, Neil Jordan, Colm TóibÃn, and Emma Donoghue, among others.
Sarah Ridout (photo credit: Merilyn Smith photography).
Over the past eleven years she has lived in four countries with her husband and two children. Her eight years surrounded by the vineyards and chateaux of southern France produced a baby, family of Francophiles, and the seed of this novel, completed in Dublin, Ireland. Le Chateau draws on her experiences as an expatriate, her knowledge of France, its people and customs.
Le Chateau was selected to participate in the prestigious Queensland Writers Centre /Hachette Australia Manuscript Development Program before it was acquired by Bonnier Publishing Australia (Echo Publishing).
Sarah has been writing throughout her public relations career, before commencing memoir and novel writing.
The complexities of the role of women interest her as do identity and place as signifiers, and the multiple effects of displacement on identity.
Sarah loves travel and the immersion into other cultures provided by her twelve years living in Europe. She enjoys reading, film, music (especially David Bowie), and is an avid art lover and collector.
Purchase Le Château here.
Connect with Sarah Ridout here.
Tweet with Sarah Ridout here.
Purchase Le Château here.
Connect with Sarah Ridout here.
Tweet with Sarah Ridout here.
DFA.
Sunday, December 10, 2017
Hollywood Buzz - A Look At Buzzworthy by Elsie Moody.

My rating: 4 of 5 stars
She had only one dating rule: no more actors.
For entertainment reporter Kate Ferris, interviewing celebrities is just part of the job, and she’s never been one to get starstruck. At least, not until she meets movie star Nick Archer in the flesh. One of the hottest and most elusive bachelors in Hollywood, Nick seems miles out of her league, so when he takes an interest in her at a press junket, Kate can’t help but be intrigued. She may have a strict rule against dating actors, but he’s drop-dead gorgeous and she’s only human.
As their flirtation blossoms into full-blown romance, Kate struggles to maintain her journalistic integrity, while potentially becoming a subject of tabloid gossip herself. Can she and Nick survive the public fallout when the painful mistakes of their past come back to haunt them both?
If only romance were as simple in real life as it is in the movies.
When I happened across Buzzworthy by Elsie Moody, my expectation was that it would be a pleasant and fun romance, set amongst the glitz and glamor of Hollywood. What I did not expect is that Buzzworthy would be a story of uncharacteristic depth and emotionally satisfying heart.
Elsie Moody brings considerable journalistic experience from a career in the Hollywood press industry, providing a vivid backdrop where industry politics and the cut throat nature of celebrity interweave through a narrative about real people, trying to make their way through an often superficial and unforgiving environment. The result, on that score, feels authentic.
Into the mix, Moody inserts a cast of diverse characters, led by plucky journalist Katelyn Ferris and enigmatic Hollywood A-List actor Nick Archer. They are appealing characters on their own terms, well drawn and full of nuance. I was impressed with how fully realized they are - though this I consider is a failing on my part. The Hollywood setting, the world of movies and celebrity had me thinking that I would find limits in the trajectory of Moody's characters. I underestimated just how much these individuals had to offer. They crackle with ambition, intelligence, sexiness, villainy and humanity. It was a delightful discovery.
Moody's story craft is layered well, with some satisfying twists and turns on its path towards resolution. There was unpredictability in the narrative too, which had me anxious and wanting to read ahead. And, of course, the romantic elements were lovely, with moments of tenderness, emotion and steam.
Buzzworthy is a smart, funny, sexy and heartfelt romance and a resounding success as a debut for Elsie Moody.
Elsie Moody worked in Hollywood for many years as an entertainment reporter, where she attended her share of press junkets and spent countless hours interviewing celebrities on red carpets. Now, she focuses her time writing romantic novels set in the entertainment industry. She lives in Los Angeles with her husband and two precocious cats.
I had the opportunity to have a chat with Elsie over a 3AM cup of tea while Elsie was keeping a nervous eye on the Californian wildfires that have dominated the news cycle this past week. I started by congratulating Elsie on Buzzworthy. It's what I regard as a real step up in terms of romance. I was intrigued to know more about how she brought elements of her career as a journalist in Hollywood to the character of Kate Ferris.
DM: Having been a journalist in the entertainment industry, and modeling Kate on your own experiences, have you had any encounters where the interview script kinda got thrown out the window and you found yourself having a much deeper discussion with your interview subject? I imagine those experiences would have been really satisfying for you as a journalist.
EM: I've never broke protocol the way Kate does by talking negatively about the film with the star, though I'd definitely had the same thoughts! Maybe that was a little projection there, having her say the things I couldn't because I actually wanted to be invited back. There isn't time to go into depth in a junket situation, but I have had the opportunity to attend private dinners set up by publicists with a single star and a few journalists to promote a film or home-video release. Those were really enjoyable, because by the end of the night you've run out of questions and you're just chatting like a group of friends hanging out.
I've also had some great experiences visiting sets. Usually, you're squeezing in whatever interview time you can get when the actor or director is on a break, then they go back to work or to their trailer or something. But there was one set visit where a big-name actor kept coming over to talk to us in between takes. The director would yell cut, and he'd come back to our table until they called him over again. We got more than an hour with him, broken up into little fragments. It's always nice when you feel like they actually want to talk to you.
DM: The thing that I was most engaged me with Buzzworthy, was the your style of writing. I found it really accessible and your voice authentic. As a journalist, having to adhere to a certain writing style, was transitioning to fiction writing a challenge for you or have you written fiction alongside your professional duties as a journalist.
EM: When I started the book a few years ago it was the first time I'd ever written original fiction outside of school. It requires a whole different set of intellectual muscles, but there are some similarities. Already having the discipline of sitting in front of the screen coming up with words really helped me. When I wrote feature stories I would start with the quotes I wanted to use and then build the article around them. So, whenever I got stuck on the book I'd just write the dialogue and let the characters talk to each other for a bit. Then I'd fill out the rest of the scene later. Of the two, I'd say fiction is harder. I'd compare it to jazz, where non-fiction is more like classical. Many jazz musicians can play classical music if you put it in front of them, but ask a classical musician to improvise and they'll balk. It's possible to learn both styles, it just takes practice.
DM: I'm interested to know how you infused your characters with the depth they contain in the story. Was it a difficult process? Did you find yourself trying to avoid certain stereotypes in their portrayal?
EM: The characters progressed so much from the first draft to the last. I started with a vague idea of their back stories and filled the rest in as I wrote. Then I'd go back and revise earlier chapters after I'd decided on some detail about their personality or history that I needed for the story. Nick took the most tweaking, I think. I started out with this notion that he was the typical Hollywood player/bad boy, but that has been done so much already. I tossed that idea out almost immediately. I wanted to do something different. So I made him more guarded and private. He doesn't like the attention, doesn't want to be in the news for anything other than his films. That's more true to life, but surprisingly rare in stories about movie stars.
DM: You sat down with Novel2Screen recently to discuss the novel. I note from that interview, you've talked about more 'in universe' stories. Could that include a future sequel featuring Kate & Nick? Their journey was so compelling that I found myself wondering about their possible futures after turning the last page.
EM: That's an interesting question. Some people have described the book as having an open ending. To me, it's pretty clear where the story is headed. They've conquered their obstacles, so what's left? I don't have any plans for a sequel at the moment, but I wouldn't rule it out if a good story idea came to me. That being said, don't be surprised if there's a passing reference to one or both of them in the next book that confirms where they ended up. I do plan on writing a number of books set in Hollywood and will be using the characters I've already created to populate it. One problem with writing about Hollywood in the current climate is that you never know whether that real-life actor you name dropped will turn out to be a creep. It's easier just to make up my own movie stars, writers, directors, etc.
Buzzworthy is available now from Amazon.
Visit Elsie Moody here.
Tweet with Elsie here.
Connect with Elsie here.
DFA.
View all my Goodreads reviews
Monday, May 22, 2017
Adventures In Beta - Journey To Walhalla Journal Entry 2.
I'm sitting here at my computer on a rainy Adelaide afternoon. My daughter is home sick from school today - her chest sounds like a freight train. It's cold outside and very gray.
I've just completed the initial editing phase on my manuscript and I have just submitted it to my publisher, Central Avenue Publishing.
I kinda, sorta can't believe it!
In the month or so since I last posted here, I have been furiously working on the manuscript, going through several phases of editing. Part of that process has involved putting together a team of beta readers. A beta group is something that will be familiar to a lot of writers in the pre publishing phase, but for the general audience, a beta group for a story works the same as a beta version for a piece of software.
I put the draft out to my group to test the early version and I sought their participation to get their impressions of the story, to offer advice on what works and what doesn't and to discuss the technical aspects of the narrative. The group came through in spades and I took all of their feedback, printed it out and stuck it on my office wall so I could refer to it as I worked my way through the editing process here.
And, to me, they're not just any readers. They are an amazing group of people - my own Story Group, if you will. I want to take a moment to give them a shout out here, because each of them have brought something really to this part of the process.
Molly Ringle is a Seattle based author and ridiculously brilliant word smith. I have come to regard Molly as my mentor and shadow (me being the shadow).
Molly has had a fantastic career an author who has routinely explored multiple genres. Her works have explored the paranormal, romance, coming of age and epic fantasy.
Having recently completed a trilogy of novels informed by Greek mythology, Molly is about to release a another genre bending epic with The Goblins of Bellwater which is due for release later this year.
Scottish based Australian author Georgina Penney has been a mainstay of romantic fiction in this country over the past few years with her much loved series of novels set in the gorgeous Margaret River region of Western Australia.
Georgina has also been a strong supporter of up and coming romance authors and has spoken widely about the genre to writing groups and professional organizations.
This year saw the release of her latest novel "The Barbershop Girl" which marked the conclusion of a series of books following the Blaine sisters.
Georgina has been a champion of mine. She kindly offered her assistance on my previous novel "The Recipient" and her romantic nous has been invaluable on Walhalla.
Another of my Central Avenue Publishing stable mates is Minnesota author Abbie Williams whose Shore Leave series of romance novels along with her more recent Civil War epic romance novels have won hearts all over the world as well as significant plaudits from her peers.
Abbie has been a constant support of both myself and other Central Avenue authors and we've benefited from her astute story telling skills and eye for detail. She's encouraged me to be brave with the editing process. Whenever I have felt unsure about how to proceed (or whether to proceed) Abbie has been there, giving me the nudge towards editorial courage. And I've loved it.
I've been a fan of Melbourne based author Ashleigh Oldfield for a long time now and she has always been in my corner, encouraging me and offering her perspective on story telling which I have always valued.
Ashleigh is another author who consistently steps outside of her comfort zone, exploring multiple genres and occupying them handsomely, with rich narratives and bold characterization.
Ashleigh has been great in identifying little character nuances and encouraging me to explore them deeper.
Queensland based blogger and reviewer Gem Blackwell has been a dear friend of mine for several years now. We've shared the coal face as paediatric nurses and we've continued our friendship into our respective writing pursuits.
Gem is a food and health blogger and she has extended herself into longer form writing, undertaking further education in creative writing. Gem is another writer with an astute eye for word economy and I've valued her advice greatly.
It has been a long and laborious task. Working back through a years worth of material, you come across scenes and story that you may not have looked at for a considerable amount of time and it can be a little jarring. You see all of its warts and imperfections. You see how bloated and full of repetition, over description and riddled with errors it is. It makes you cringe and want to tear it to pieces. Well - it did me.
Somehow, the ingredients were all there, laying underneath the fat and blubber. Gradually, I've uncovered them, cutting away all of the gunk and grunge and, I have to say, it's looking pretty sharp.
The process is not over and, indeed, the life of this book is not yet assured. But, I am encouraged to be in the place that I am now and free to think a little more clearly before I delve back into more revisions.
Stay tuned.
DFA.
I've just completed the initial editing phase on my manuscript and I have just submitted it to my publisher, Central Avenue Publishing.
I kinda, sorta can't believe it!
In the month or so since I last posted here, I have been furiously working on the manuscript, going through several phases of editing. Part of that process has involved putting together a team of beta readers. A beta group is something that will be familiar to a lot of writers in the pre publishing phase, but for the general audience, a beta group for a story works the same as a beta version for a piece of software.
I put the draft out to my group to test the early version and I sought their participation to get their impressions of the story, to offer advice on what works and what doesn't and to discuss the technical aspects of the narrative. The group came through in spades and I took all of their feedback, printed it out and stuck it on my office wall so I could refer to it as I worked my way through the editing process here.
And, to me, they're not just any readers. They are an amazing group of people - my own Story Group, if you will. I want to take a moment to give them a shout out here, because each of them have brought something really to this part of the process.
Molly Ringle is a Seattle based author and ridiculously brilliant word smith. I have come to regard Molly as my mentor and shadow (me being the shadow).
Molly has had a fantastic career an author who has routinely explored multiple genres. Her works have explored the paranormal, romance, coming of age and epic fantasy.
Having recently completed a trilogy of novels informed by Greek mythology, Molly is about to release a another genre bending epic with The Goblins of Bellwater which is due for release later this year.
Scottish based Australian author Georgina Penney has been a mainstay of romantic fiction in this country over the past few years with her much loved series of novels set in the gorgeous Margaret River region of Western Australia.
Georgina has also been a strong supporter of up and coming romance authors and has spoken widely about the genre to writing groups and professional organizations.
This year saw the release of her latest novel "The Barbershop Girl" which marked the conclusion of a series of books following the Blaine sisters.
Georgina has been a champion of mine. She kindly offered her assistance on my previous novel "The Recipient" and her romantic nous has been invaluable on Walhalla.
Another of my Central Avenue Publishing stable mates is Minnesota author Abbie Williams whose Shore Leave series of romance novels along with her more recent Civil War epic romance novels have won hearts all over the world as well as significant plaudits from her peers.
Abbie has been a constant support of both myself and other Central Avenue authors and we've benefited from her astute story telling skills and eye for detail. She's encouraged me to be brave with the editing process. Whenever I have felt unsure about how to proceed (or whether to proceed) Abbie has been there, giving me the nudge towards editorial courage. And I've loved it.
I've been a fan of Melbourne based author Ashleigh Oldfield for a long time now and she has always been in my corner, encouraging me and offering her perspective on story telling which I have always valued.
Ashleigh is another author who consistently steps outside of her comfort zone, exploring multiple genres and occupying them handsomely, with rich narratives and bold characterization.
Ashleigh has been great in identifying little character nuances and encouraging me to explore them deeper.
Queensland based blogger and reviewer Gem Blackwell has been a dear friend of mine for several years now. We've shared the coal face as paediatric nurses and we've continued our friendship into our respective writing pursuits.
Gem is a food and health blogger and she has extended herself into longer form writing, undertaking further education in creative writing. Gem is another writer with an astute eye for word economy and I've valued her advice greatly.
It has been a long and laborious task. Working back through a years worth of material, you come across scenes and story that you may not have looked at for a considerable amount of time and it can be a little jarring. You see all of its warts and imperfections. You see how bloated and full of repetition, over description and riddled with errors it is. It makes you cringe and want to tear it to pieces. Well - it did me.
Somehow, the ingredients were all there, laying underneath the fat and blubber. Gradually, I've uncovered them, cutting away all of the gunk and grunge and, I have to say, it's looking pretty sharp.
The process is not over and, indeed, the life of this book is not yet assured. But, I am encouraged to be in the place that I am now and free to think a little more clearly before I delve back into more revisions.
Stay tuned.
DFA.
Labels:
#authorsyoushouldknow,
Abbie Williams,
Adelaide,
Ashleigh Oldfield,
Australia,
Dean Mayes,
editing,
erotic,
fiction,
Gemma Blackwell,
Georgina Penney,
Molly Ringle,
romance,
Victoria,
Walhalla,
writing
Wednesday, July 6, 2016
Upcoming Event - Dean Mayes Author to Visit Adelaide Library.
Thursday, June 30, 2016
Dying For It - A Preview Of Eat, Pray, Die by Chelsea Field.

My rating: 5 of 5 stars
Being an undercover poison taster for the rich and famous might sound glamorous, but for Isobel Avery it means stomaching bad clients and even worse coffee.
The one side of the job that lives up to expectations is the money. Which is just as well for Izzy, since she needs an awful lot of it. Who knew when she made a lifelong commitment to a man that it would be one year living with him and the rest of her life paying for it.
But even her scoundrel ex-husband doesn’t look so bad compared to her new client. He’s competent, condescending, and annoyingly attractive, and Izzy doesn’t know whether to sleep with him or poison him herself. Throw in a loan-shark, a nosy neighbor, and a murder attempt, and Izzy will have her work cut out for her
Being an undercover poison taster for the rich and famous might sound glamorous, but for Isobel Avery it means stomaching bad clients and even worse coffee.
The one side of the job that lives up to expectations is the money. Which is just as well for Izzy, since she needs an awful lot of it. Who knew when she made a lifelong commitment to a man that it would be one year living with him and the rest of her life paying for it.
But even her scoundrel ex-husband doesn’t look so bad compared to her new client. He’s competent, condescending, and annoyingly attractive, and Izzy doesn’t know whether to sleep with him or poison him herself. Throw in a loan-shark, a nosy neighbor, and a murder attempt, and Izzy will have her work cut out for her
Eat, Pray, Die is a sexy and stylish mystery/thriller with no shortage of smart dialogue and taut action scenes combined with an engaging and involving mystery from the get go.
Chelsea Field's protagonist, Isobel Avery, is a classic fish out of water heroine - an attractive and plucky young Australian who navigates her way through the highly polished chintz of LA's celebrity obsessed culture in the role of a poison taster to the rich and famous. Working for a shadowy agency, Isobel is hired as a "Shade" by wealthy clients who are targeted by enemies by way of poisoning and it is her job to neutralise any threats by tasting their food.
When one of her colleagues falls victim to a particularly dangerous poison, Isobel is paired with the enigmatic - and decidedly "rugged" - operative Connor and together they embark on a desperate race against the clock to uncover an enemy who is determined to foil them. Isobel Avery is appealing wide eyed and, perhaps overwhelmed by the responsibilities she has taken on, but she is also resourceful, with a keen eye and an analytical mind and it doesn't take long for her to embrace her role of investigator with gusto.
Paired with her foil in Connor, I couldn't help but imagine Mad Men's John Ham in the role. There's a satisfying tension between the two and I found their story trajectory really engaging.
Field's writing style is highly polished and she posits some really clever ideas - particularly around the whole celebrity poisons industry. The need to have an agency dedicated to the protection of high profile figures from competitors is fascinating and it offers a unique insight into a world that I found utterly convincing and more than just a little scary. Her grasp of the mystery elements kept me guessing and problem solving which is the mark of a really great piece of genre fiction.
Field visualises the high gloss world of L.A. brilliantly, making the scenes immediately accessible and she finesses her narrative with sensory detail that drew me into the world and kept me there. Her supporting cast are all well drawn and I never knew, from one page to the next just which of them might be the prime antagonist.
Above all, Eat, Pray, Die moves fast. It's an entertaining ride from beginning to end and I enjoyed the heck out of it.
(image credit: Chelsea Field).
She’s fallen off a galloping racehorse, faced down dozens of Australia’s most dangerous animals (including vicious roosters, for those of you who’ve read EAT, PRAY, DIE), and while she’s never sold buns or coffee for a living like her protagonist, she’s consumed plenty of both.
Yes, all of those points are about animals or food. I told you she’s an introvert.
After writing a romantic comedy (no, you can’t read it) where the hero was a photographer from Burnside and then meeting and marrying a photographer from Burnside a few years later, she’s a little worried her writing has weird prophetic fate-like powers. So she makes sure nothing too bad ever happens to her characters, just in case life decides to imitate fiction again.
Purchase Eat, Pray, Die here.
Connect with Chelsea Field here.
Chelsea Field on Amazon here.
View all my Goodreads reviews.
DFA.
Labels:
#authorsyoushouldknow,
Adelaide,
Amazon,
Archer,
Beverley Hills,
Burnside,
Chelsea Field,
Dean Mayes,
Eat Pray Die,
eBooks,
Kindle,
Los Angeles,
murder mystery,
rich and famous,
romantic fiction,
sexy
Sunday, May 22, 2016
Spring Comes To Those Immortal - A Look At Immortal's Spring by Molly Ringle.

My rating: 5 of 5 stars
Sophie Darrow said yes once to a young man offering a realm of Greek gods and immortality. Now her home has been shattered, and her friends and family pulled along with her as they run from an evil cult and take shelter in the gloomy Underworld. But remembering the life of the original immortals long ago--Persephone, Hades, Hekate, Hermes, and more--may be their key to victory, as well as happiness.
In ancient times too, the murderous cult Thanatos attacked and destroyed nearly all the Greek immortals who sought to bring good to humankind. But those immortals planted seeds in both their realm and ours to ensure their season would someday bloom again. And spring is finally coming.
I have been on board with Molly Ringle's The Chrysomelia Stories since Book One - Persephone's Orchard and I was given the opportunity to read a draft of the final entry - Immortal's Spring last year. In preparing my review, I returned to it this month when I was given a final copy of the novel.
(image credit: Molly Ringle).
It is no small thing for me to say that Molly Ringle's works rank among my favourite hands down. As a writer myself, I take a sort stylistic inspiration from her - specifically in her construction of characters. Ringle is an astute observationalist, able to imbue her creations with unparalleled realism and presence, such that you find yourself quickly empathizing with their journey and becoming invested with them. Throughout The Chrysomelia Stories, I have come to care a great deal about the likes of Sophie Darrow, her paramour Adrian, her brother Liam and the extended cast of characters who carry the load of dual identities - both here in the modern day world and the parallel world of Ancient Greece - where each of them assume the roles of classic figures from that culture's rich mythology.
Looking at Immortal's Spring in isolation, it is undoubtedly the most compelling in the series, and I say this only because it carries the responsibility that is common to all third acts, it has to address and resolve the cliff hanger Ringle left for us at the conclusion of Book 2 (Underworld's Daughter) whilst maintaining the sense of tension and real urgency as it progresses towards the finale. Ringle's narrative crackles with energy, sensuality and excitement. Her investment in and portrayal of the cast elicits a real emotional response in the reader and that is where the genius of this series lies.
I have such an appreciation for Greek mythology as a result of journeying through the Chrysomelia Stories. Throughout my reading of these books, I have constantly cross referenced Greek mythos with Ringle's storytelling just so I can appreciate the true genius of what she has wrought.
Molly Ringle is an equal to Rowling, to Riordan, to DiTerlizzi and Black. Immortal's Spring specifically and The Chrysomelia Stories more broadly are a modern day epic that everyone should know about.
Immortal's Spring is out everywhere on June 1st 2016.
Molly Ringle has been writing fiction for over twenty years. She grew up in the Pacific Northwest, and lives in Seattle with her husband and children. Her studies include a bachelor of arts in anthropology and a master of arts in linguistics. She also loves folklore and mythology, and this has been the impetus for her epic series of stories couched in Greek myths. When not writing, she can often be found experimenting with fragrances, chocolate, and gardening.
Pre-order Immortal's Spring here, here and here.
Visit Molly Ringle here.
Facebook with Molly here.
Tweet with Molly here.
View all my GR reviews
DFA.
Subscribe to:
Posts (Atom)