The Recipient - Update No. 4: Cover Art Reveal - The Recipient by Dean Mayes.

(Originally posted at Central Avenue Publishing's official blog.)

Central Avenue Publishing and Dean Mayes are proud to reveal the cover art for Dean's highly anticipated new novel "The Recipient" which is scheduled for world wide release in October 2015.

A tense and pulse pounding thriller, in the tradition of Jeffrey Deaver and James Patterson, The Recipient promises to be a significant achievement for Dean Mayes (The Hambledown Dream, Gifts of the Peramangk). 

"Fans of Dean's work will not be disappointed. His flowing prose and ability to create engaging characters come through again – but this time they’re coupled with a scary, gripping story" - Michelle Halket, Creative Director, Central Avenue Publishing. 

The story follows Casey Schillinge, a young heart transplant recipient who undergoes not only a life-saving operation but upon recovery, a life changing transformation. 

Three years later, Casey has become a withdrawn shell of her former self: she is estranged from her loved ones, afraid of open spaces and rides the line between legitimate and criminal work as a computer software specialist. The worst of her troubles come in the form of violent night terrors; so frightening that she resorts to extreme measures to keep herself from sleeping. 

When she can take no more, she embarks on a desperate search for the source of her dreams. In so doing, she makes a shocking discovery surrounding the tragic fate of the donor whose heart now beats inside her chest. As she delves deeper into the mystery of her donor, she realizes her dreams are not a figment of her imagination, but a real life nightmare.

An exclusive excerpt from the novel is live now at Central Avenue Publishing's official site. 

The Recipient is scheduled for an October 25th, 2015 global release in print and digital formats.

DFA.

The Recipient - Update No. 3: Contract Day.

No matter how many times I've done it, putting the ink on a publishing contract remains a special moment for me.

It's a recognition of the work you have done so far, a nod that says "everything you have done is worth it." 

I wrote recently that we writers work in isolation. It's easy to lose perspective on what you are trying to achieve. You don't see things objectively. You often doubt yourself and the project. You fret that your effort is not enough.

Penning your signature on a document like this, gives so much reinforcement. It spurs you on.

While the hardest part of willing a story to life has been achieved, there is still more to do...

But you do it with a fresh sense of confidence.

DFA. 

The Recipient - Update No. 2: Revision 6.

After a while, it becomes apparent how treacherous revising and editing can be for an author. Looking at the same words on the same page in the same document over and over again can lead one towards losing perspective. The words blur into one another - as does the plot, the characters and their motivations - and you can't look at the document objectively anymore. And yet, as I've said before, this is the one part of the writing process that I profess to enjoying the most.

Draft 5 of The Recipient - the draft that went into my publisher - was returned to me a little over a fortnight ago, and I was excited (I know, right!) to see digital "sticky notes" plastered all over it from my Vancouver based publisher, Central Avenue. In short, while there was a lot of work to do on the manuscript structurally, the core story was sound and the characters were well cast. 

Over a couple of video conferences, Michelle and I discussed the notes, numerous minor tweaks to the manuscript and a couple of more significant ones and in the course of those discussions, she really helped to defragment my objective software and reboot my system. The subsequent round of revisions - which I've dubbed Revision 6 - allowed me to approach the manuscript with fresh eyes.

image credit alittlepieceofeverything.

So often, we write in isolation, without anyone to bounce ideas off. The first stage of my edits involving my beta readers was a great first step in getting a feel from a set of readers who came to the story cold. Their individual suggestions and comments helped me to refine the story, address glaring plot holes and gauge their reaction. But it was only the first step in the journey. Before long, I found myself back in the place where I was struggling with my objectivity. The process I am in now with my publisher Michelle has been my savior. With Michelle's astute eye for both the technical and literary aspects of story telling, I am in a space that is much more focused and I am relishing it. 

Late last week, Revision 6 went in for review by Michelle and the editing team. I feel confident that the story is pretty much perfect. Now, the polishing process begins. We'll go line by line, ensuring that we've eliminated any and all grammatical errors and we'll review the document after that to make sure that there isn't anything else to add or subtract. 

We've also begun to discuss the cover art for the novel. While these discussions are at their very early stages, we've already hit upon some ideas that really excite us. The eventual design will help guide the marketing effort we plan for the book.

So there is a lot happening, even if it doesn't seem like a lot is happening.

Stay tuned. 

DFA.

The Recipient - Update No. 1: Submission - The Recipient Is With My Publisher.

I've neglected the site here for a while and, for regular visitors here, I am sorry. 

In the couple of months since my last post, I have been hard at work, putting the final chapters on my new novel "The Recipient" together, before diving head-long into a series of arduous edits on the manuscript.

So what is The Recipient exactly? 

Well, without revealing too much at this point, I can say that The Recipient is a wholesale departure from my previous works. I can best describe it as a murder/mystery with a twist. It is most definitely a thriller which features action and suspense. It also features quite a nasty conspiracy which was quite a challenge putting together. As we go forward, I'll trickle out plenty of information, so just sit tight for now and know that you'll get plenty to whet your appetite.

   

Just after Christmas, I assembled a group of trusted friends and asked them if they would review the very - Very - rough draft and offer up their thoughts on it. Having slaved away in isolation for so many long months, I was losing my objectivity and desperately needed fresh sets of eyes on the project - if for nothing else than to reassure me that I hadn't gone completely off the rails with this story. 

Thankfully, the feedback was hugely constructive and helpful and I approached the editing phase eager to incorporate as much of it as I could. From a rather bloated and repetitious first draft, I have made the story much leaner and have eliminated a lot of superfluous exposition. I received some really great plot ideas that I hadn't previously considered and which enabled me to address some difficulties I had in making sense of a few points. The most important feedback I received was that the story works. Having struggled with self doubt over that very question for so long, that was the greatest relief. 

Today, as I write this, I have submitted the manuscript to my publisher Central Avenue Publishing, where we will now work together on the next phase of editing. Having completed four passes so far, I imagine there will be at least another four, though they will be a lot more focused on specific aspects of the story.

In the meantime, check back here for more frequent updates as the final stages of my journey with The Recipient unfold (subscribe to my blog in the left hand sidebar to receive updates).

The Recipient Is Coming.

DFA.  

The Dead Man Will Rise - A Look At Dead Man Rising by Jack Hayes.

I grew up on a steady diet of genre thriller novels from the likes of Clive Cussler, Tom Clancy, Robert Ludlum and John le Carré. I revelled their portrayal of conflicted operatives as they negotiated their way through international intrigue, political machinations and balls out action. It's a genre I, myself have attempted to write in but haven't quite pulled off. 

In the post 9/11 world, I gravitated towards the explosion of non fiction titles examining the real world war on terror. For me, the truth was just as entertaining as the fiction I'd read growing up. That's not to say that I hadn't lost my appetite for the genre at all but, I'll admit, my attention had been diverted for many years. 

Recently, I re-discovered my love for the genre with a smart and sophisticated entry from U.K. based Jack Hayes whose Dead Man Rising sucked me in, held onto me and didn't let go until the end. 

The guff on the book is thus;

Meet Rook.

A former spy turned reporter, his life is planned like a game of chess. Every move has an objective - and is played strategically, and with total focus. 

But in the tranquil paradise of Hawaii, amid the palm trees and sunshine, he is about to play out the greatest game of his life. And the deadliest. A fellow journalist - running the paper's Hawaii bureau - has disappeared. No one knows why, or where? Rook is determined to find out.

He was on the trail of one of the greatest scoops of all time - a story that brings together all the powers competing for control of the Pacific. As he starts to dig, Rook soon finds he is on the run - from intelligence agencies, governments, police forces and from his own past. 

He will need all his survival skills to outwit them. Because a dead man can rise once. But not twice.

I came to Jack Hayes' Dead Man Rising at a fortuitous time when my consciousness has been attuned to names like Edward Snowden, Julian Assange and Michael Hastings and their endeavours to shine a light into the darkest corners of the US Government's surveillance apparatus. So, I was ripe for a journey through a kind of paranoid fantasy like Dead Man Rising. 

And in the tradition of those classic political thrillers I mentioned earlier, author Jack Hayes brings his own signature to the genre with Dead Man Rising. It is a delicious thriller that crackles with intensity from the opening pages, juxtaposing action, conspiracy and paranoia in a perfect balancing act that keeps you invested.

The first person perspective employed by Hayes in his portrayal of his protagonist, the Rook, brings a tactile edge to the narrative. We are drawn into the Rooks experience seeing and feeling what he feels and reacting accordingly. It is visceral and by extension highly enjoyable.

At times, Hayes' story telling reads almost like a how to guide for aspiring spies. Clearly, he has invested considerable effort in researching procedure and methods employed in the spy game. As is essential for a genre thriller like this, it never labours or bogs the story down. Rather; Hayes packages it neatly into the narrative and it serves the action narrative well.

Dead Man Rising is a visual and tense thrill ride - worthy of cinematic adaptation - but, more importantly, worthy of recognition alongside the likes of the Jason Bourne and Jack Ryan series. This is how sharp, intelligent action packed thrillers should be written.

For Jack Hayes, Dead Man Rising is a significant achievement.

Jack Hayes is a journalist for one of the world's largest news companies. Having reported widely from Ethiopia, Mozambique, Bahrain, Egypt, Israel, Palestine, Saudi Arabia and many others, he has the pedigree and a unique perspective that gives him the edge when it comes to crafting intelligently plotted thrillers.

When he's not reporting or writing novels, he enjoys music, reading, Italian cuisine and spending time with his wife.

Purchase Dead Man Rising here.

Purchase Blood Red Sea here. 

Connect with Jack Hayes here.

Tweet with Jack Hayes here.

DFA.