Tuesday, April 12, 2011

The Ethical Geek.

I make no secret of the fact that I love technology - specifically, consumer technology. I am writing this now on my Samsung Galaxy Tablet which has almost become my primary device for interacting on the interweb and conducting my online life. When I'm not using the Tablet, I am sitting down with my Dell XPS M1530 laptop which is at the core of my career as an author in both the print and digital media. I make calls on my Samsung Omnia i8000 smart phone and listen to my favorite show Keith & The Girl using it in tandem with my Nokia BH-501 bluetooth headset. Just the other day, I bought the new Lego Star Wars 3 game for my Sony Playstation Portable console and my son and I have been having a huge amount of fun romping around in the Star Wars Lego universe. I could go on but, for the sake of your sanity, I'll surmise that you get the idea.


I love geeking out on the latest releases in the world of smart phone technology because I don't yet believe that I've seen a device that ticks every single box in terms of THEE feature set that I would love to see (although the Tablet comes really, really close). I love to play around with these new toys when I can afford to buy them or my cell phone provider encourages me to recontract with them - in which case I can usually score a new device for free (as part of said contract). I marvel at the advancements developers have made in their quest for faster, lighter, more powerful and more interactive. But I have given no thought to hands that have wrought these devices into being. The fingers that soldered the wires to the circuit boards or turned the tiny screws or packaged them into the boxes that take them from the factory to the retail outlets that whip their customers into a frenzy with the next anticipated release.


I subscribe to a magazine called New Internationalist which hits my letter box once a month. I always enjoy getting my copy. The New Internationalist takes a deeper look into the geopolitical climate globally and examines human rights issues, poverty, ethical industries, non ethical industries and global justice. And when it arrives each month, I love nothing more than to sit down with my copy in the afternoon and get right into reading it with a cup of coffee. Today was one such day.


And in my haven of deeper thought and focus upon the global issues that define my generation, I came across an article that stopped me in my tracks.


The article was about a corporation in China called Foxconn which is, apparently the largest manufacturer of consumer electronics in the world. Foxconn produces the iPhone, the iPad - both 1 and 2 - and its components can be found in computers and hardware and technology the world over. In fact, by the middle of 2011, Foxconn will have captured 50% of the global market in consumer electronics. I've no doubt that much of the compnentry inside my Samsung Tablet that I'm writing this on now came from Foxconn.






The article in the New Internationalist examined the working conditions inside Foxconn's Shenzhen factory, which is described as a city within a city, occupying some three square kilometers of Chinese real estate. Somewhere in the region of 1 million workers are employed by the corporation. They live and work in the factory and, according to the article, are ruled over by the corporation bosses like a super government that exerts absolute control over their lives.


Disturbingly, there has been a spate of suicides at the factory - 18 officially reported deaths in 2010 alone. Workers as young as 17 and no older than 25 have taken their own lives as a result of the draconian conditions they endure inside the factory.






Their every moment is monitored, tracked and watched over by a security service that would rival the Secret Service. They have strict production quotas to meet and the failure to meet those targets results in harsh disciplinary action which is often humiliating. They are forced to adhere to a strict regime of assembling before the bosses each day and declaring that they are good -  "Very Good, Very Very Good" when asked by their bosses to state how they feel. Their work schedules are relentless, their pay pitiful and their lives monotonous, without hope or direction. In an interview with the magazine, workers - who spoke on the condition of anonymity - reported feelings of helplesness, of despondency and of feeling as though they have no future. These are workers with college educations, graduates who have studied to better themselves to seek a better life. They are not surprised that these feelings have lead some of their colleagues to resort to drastic and often tragic measures...


...All so that we in our comfortable western lives can line up in front of a local Apple store at 2 in the morning on release day for the latest iProduct...






Our insatiable appetite for 'the product' has contributed to this disturbing and tragic phenomenon and, having admitted to being a total tech geek, I myself feel part way responsible for it. As a writer who has, belatedly, embraced the idea of digital literature as a means of income and a portal for my published work, I am rendered uncomfortable by accounts like Foxconn's and it's workers. But I'm not about to lay down my Galaxy, Omnia 2, Sony PSP or Nokia headset in solidarity with these workers either, because I believe that would be counter productive.






The thing is, I appreciate the quality of the product that I hold in my hand and NI's article leads me to think about the hands that constructed this device. Despite China's rapid emergence as 'the' super power of the 21st century, there remains vast poverty and inequality among it's people. Jobs - occupations - are hungrily sought out by its citizens because the alternative to working would be desperate poverty, which is as bad as the situation that has been described in Foxconn's factory.


The solution is therefore simple. Our insatiable desire for cheaper and cheaper consumer electronics in the longer term is not sustainable, if we are to have any regard for the plight of workers at corporations like Foxconn. In fact, I think there is a moral and ethical imperative on our part to demand that we accept higher prices for these devices and ensure that the beneficiaries of our willingness to pay more are those very factory workers. Corporations like Foxconn should not be allowed to continue operating unchecked. It should be held acconutable for the deaths that have occurred inside its factory. 18 suicides in 1 year cannot ve dismissed out of hand. It chilled me, reading this article today and I had visions of scenes from George Lucas' 1970 film "THX-1138" where an entire society was depicted in very much the same Orwellian way that the NI article reported the conditions inside Foxconn.


And that was a work of fiction.






There are some encouraging signs of a fledging movement that is agitating for workers rights inside corporations like Foxconn but they are going up against not only a corporate behemoth but a Government whose track record on human rights is arguably, appalling. My conscience  will very much form a part of my focus on promoting my written works in digital media. I believe the two can co-exist. 


I encourage you to think deeper too, about the hands that constructed whatever device you are reading this article on right now. Would you be prepared to pay more? Would you be prepared to help defend the human rights of those hands?


I am...






DFA.

Sunday, April 10, 2011

Nothing Lost, Everything Gained - A Look At "The Book Of Lost Souls".

I have to admit to being from the "Buffy" school of the paranormal rather than the "Twilight" one. There was always something so much more accessible about the Scoobie Gang in that former franchise that appealed to me and I'm almost ashamed to say that I stuck it out with them for the series entire run. I've not encountered anything that has captured a spirit of fun and grit the way Buffy has...that is until now.


"The Book of Lost Souls" by Michelle Muto is a totally original take on the paranormal genre that - similar to "Buffy" - captures a spirit of hip 'now'-ness that is engaging from the very first page. I've got to stress here that I was only subtly reminded of Buffy whilst reading "The Book Of Lost Souls".


From the synopsis - "When teen witch Ivy MacTavish changes a lizard into her date for a Halloween dance, everything turns to chaos. And when no one is powerful enough to transform him back except Ivy, it sparks the rumor: Like father, like daughter. Ivy has heard it all before - that her father, who left when she was seven – was involved with the darkest of magic.

Making the rumors worse, someone uses an evil spell book to bring back two of history's most nefarious killers. Ivy's got a simple plan to set things right: find the real dark spell caster, steal the book, and reverse the spell. No problem! But she’ll have to deal with something more dangerous than murderous spirits that want her and her friends dead: the school’s resident bad boy and hotter-than-brimstone demon, Nick Marcelli. Nick’s offering Ivy more than his help with recovering the missing book – he’s offering her a way to ditch her scaly reputation as a lizard-lover. Demons are about as hard to handle as black magic, and as Ivy soon discovers, it’s going to take more than a lot of luck and a little charm if she wants to survive long enough to clear her status as a dark witch, get a warm-blooded boyfriend, and have her former date back to eating meal worms before the week’s end".
 

This is very much it's own story, which is an absorbing read that has comedy and wit, but also a more serious and perhaps sinister undercurrent running through it's narrative. There is action and mystery, romance and tenderness. It draws on classic archetypes and reworks them in a refreshing way and you actually enjoy the way Michelle weaves them into her tome. It's cleverly subtle - it doesn't belt you in the head.

Her cast too, are a vivid collection of characters, lead by the precocious and worldy Ivy, who reflect contemporary teens dealing with all the trials of growing up and dealing with peer groups, high school, difficult parents whilst dealing with the additional burdens of fangs, aversions to sunlight, wolf-like tendencies and the like. Muto's affection for her characters is clear and she imbues them with a rich realism and enthusiasm that make them leap off the page.

Muto's story craft is well honed. There is nothing contrived or superfluous and she has balanced the tension and excitement well with the lighter moments and the laughs too. The dialogue is sharp, settings are well described and visually accessible. Teens will most certainly love it and even cynics like a middle 30's parent can't help but smile.

"The Book Of Lost Souls" is a considerable achievement for Michelle Muto and I believe that it is a worthy addition to a genre that can perhaps, be a little too serious sometimes.

DFA.

Thursday, April 7, 2011

In Review - "The Clearing" by Anne Riley

I want to open my account today by apologizing for the lack of posts this past week. The proverbial tank has been somewhat empty and I haven't had much drive. But enough about me.

I want to you take note of the following author and book because, having just finished it, I have some serious creative juices flowing.

I predicted a little while ago that Anne Riley's debut novel "The Clearing" would not fail to delight so it will come as no surprise to you, as I turn the final page of her remarkable novel, that I will hold true to that prediction. Anne Riley's "The Clearing" is without a doubt, one of the must read books of 2011 for anyone - not just young adults with a passion for the mystical and the fantastical. 





"The Clearing" starts with an eye towards action and there is a visceral energy to the tome right from the start. Riley's backgrounding in the distant past is a deftly managed plot device and it adds so much to the contemporary events, weighting them with a significance and an atmosphere that is engaging and just damned interesting.

The characters too, are so well drawn and vivid. From her two central characters in the young, earnest and recently bereaved Natalie and the mysterious and intense Liam to all of her cast, none of Riley's characters are wasted in this story. They feed into cracking plot so effectively that your appetite for such sumptuous story craft will most certainly be rewarded.

"The Clearing's" themes are weaved so well into its overall tapestry. From grief and loss in the case of Natalie's parents, to the examination of contemporary social interactions (ie. fitting into a new place), to the suspense of the paranormal elements). All of them fit! It's just so well done! 







Anne Riley is an author of considerable skill. She knows her genre so well. Her characterizations are well drawn and grounded and her exploration of light and dark - both in setting, mood and emotion - has all the qualities of a fine artist.


I've said previously that "The Clearing" would be a novel to watch out for in 2011. I make no change to that assessment.

This is one seriously fine novel.

DFA.