So, this week, I'm going to share another preview with you. And to stick with a little bit of continuity, I'm going to pick up young Virginia's story after she is taken by the authorities from her tranquil life in the Adelaide Hills. This preview actually occurs a little way further in to the manuscript because I'm structuring Virginia's back story as a series of flashbacks which will serve the main story that takes place in contemporary 2011. Again, this is an unpolished piece, probably bristling with grammatical flubs which I make no excuse for at this point. I want to encourage your feedback. Tell me what you think, what you like, what you don't like. Tear me down if you have to!! :)
1951.
A single rattle
trap utility bumped along a dusty road, heading towards an, as yet, unseen
destination. It kicked up plumes of dust behind it that were caught up and
carried away by a languid breeze, disappearing into an overcast sky above a
field of yellow pasture. Clouds had gathered on the near horizon behind the
truck. Tendrils of rain fell from them but it was unlikely that rain would
catch the truck any time soon. The fields around the truck, the sparse
population of sheep and cattle that grazed within them had not seen rain for a
long time.
A small figure
sat huddled in the tray of the truck, holding onto the wooden sides with a vice
like grip every time the truck shuddered over a pot hole in the track. Virginia flinched
uncomfortably as she bounced on the wooden surface, her tail bone hitting it
harshly and causing her pain. She did not dare protest to the driver inside the
cabin. It was likely fall on deaf ears anyhow.
She felt sick -
she always felt sick nowadays. Not since she had been taken from her mother,
did she remember feeling anything but sick. The food that she had been served
up, day after day at the hospital where she had lived for the past few months
was little more than gruel. Eventually, and unbeknownst to the Sisters there, Virginia had stopped
eating the food altogether. To her mind, it was patently inedible.
A lifetime had
passed - it seemed like a lifetime anyway - since she had seen her mother. The
very thought of her mother and not being with weighed down so heavily upon Virginia that it
threatened to crush her. Even now, the memory of her mother caused tears to
well up and Ginnie could not hold them back. The grief was overwhelming. She
couldn't understand why her mother never came to get her and take her home, nor
could she understand why her questions about seeing her mother again were
dismissed by the people who had taken her. No one had told her anything really;
except that she was sick and that her mother could no longer look after her.
She had been
separated from Albert not long after they had been brought to the hospital in
the city. Though she had seen him once or twice some time after they arrived,
Albert was eventually taken away from there and he all but disappeared. They
wouldn't even tell her where he had gone.
Initially, Virginia had persisted
with her questioning, drawing the ire of the Sisters and Aboriginal Protection
Officers. She had been punished many times - severely - for defying their
instructions whilst she was in the hospital, for refusing to eat her meals, for
trying to escape, for crying for hours on end in the depths of the night.
Eventually, Virginia
stopped fighting them, defying them. A deep depression set in - a grief. She
grieved for her mother and father. She grieved for Albert and the other
children. She grieved for home. After a time, Virginia stopped eating or sleeping,
interacting or speaking. Her voice vanished and she allowed her captors to do
with her, whatever they desired.
Now, inexplicably,
she was here. They had bundled her up into this rickety truck without
explanation, driven out of the hospital and away from the city on a road that
seemed endless, its destination uncertain. She had sat for hours, passing
through rain and wind and the blistering sun with nothing but a canvas sheet to
protect her. They had told her nothing.
The truck
passed by a tall, gnarled, dead tree standing solitary in the field near the
road. Virginia
glanced up at it, spying two crows sitting side by side on a twisted branch.
One of them issued a long, mournful caw as the truck passed by. She stared
blankly at them through bloodshot eyes until they were out of sight and the
road angled around to the right. The tree shrank to a speck behind her,
swallowed up by the vastness of the landscape.
A line of bald
hills flanked the road to the north on her left while, to the south, the fields
threw stretched away into infinity. There was so much space - yet Virginia felt
claustrophobic by its vastness.
Suddenly, Virginia heard the sound
of a dog barking and she turned her head slightly to the left. A lean black and
white cattle dog galloped along beside the truck at a cracking pace, its tongue
flapping along side in the breeze. The dog jumped deftly over the uneven ground
beside the road, flanking the vehicle, yapping enthusiastically up at Virginia
who just stared dumbfounded at the mutt.
Overcoming a
great inertia, Virginia
turned herself around and looked through the rear window of the cabin. Out
through the windshield, she saw a farm house up ahead, an austere sand stone
homestead with a wide verandah that wrapped all the way around it. Several
smaller buildings stood off to one side. Several palms bordered the property
near a fence that stretched along the front of the grounds.
For the first time in what seemed an eternity, her
curiosity was piqued.
The truck
slowed as it approached the property allowing the enthusiastic dog to leap
across in front of it. It passed through an entrance and over a steel cattle grate,
scattering a group of chickens in all directions just beyond, before it turned
in a wide arc around a lush circle of lawn in front of the farm house. The
driver brought the vehicle to a stop and killed the engine.
At the foot of
the stairs leading up to the verandah of the house, stood a tall man wearing a
flannel shirt, dusty brown pants with suspenders and an aging leather belt and
a wide brimmed pastoralist's hat that sat low, concealing his eyes and much of
his face in shadow. A long cob pipe jutted from one corner of his mouth,
curling wisps of blue smoke drifted up into the air from it. The man stood, his
huge arms bent at the elbows, his hands in his pockets, silent.
Waiting.
The driver
stepped out of the cabin of the truck and strode around to the rear. Once there,
he signaled with a sharp gesture of his hand and a shrill whistle.
"Come on," he snapped.
Hoisting
himself up into the tray, the driver snatched the bag out of Virginia 's hands and angrily tossed it over
the side. Before she knew what was happening, he grabbed her arm roughly and
jerked her to her feet, dragging her like a rag doll off the back of the truck.
Once off the ground, he leaned close to her.
"Pick up your bag you little grub"
He let her go
and immediately stood tall, flashing a broad, cheesy smile as he adjusted his
Stetson on his head and walked up to the man at the foot of the verandah.
The dog, who
had sat itself down on the ground several feet away, watched the crumpled form
of the girl beside the truck. Slowly, she got to her feet and stepped slowly
over to her up ended bag. The dog, its tall ears pricked up and forward,
whimpered softly, its long tongue lolling.
The driver
offered his hand to the silent man who remained statue-like where he stood. He
did not return the gesture.
"Good
afternoon Sir" the driver greeted drippingly, withdrawing his hand quickly
in a pathetic attempt to pretend that he had meant to swat an insect from in
front of his face. "I'm...I'm Whitchester, from the Aborigines Protection
Office"
The
Pastoralist's eyes were focused beyond Whitchester, upon the child who stepped
gingerly towards them, her bare feet flinching on the hot, dusty ground. Her
dress was dirty, plain and torn in a coupe of places. She looked sick and
pasty, despite her dark skin.
Whitchester
turned and subtly dragged Virginia
by her arm around to stand in front of him. He placed his hands down on her
shoulders, causing her to wince.
"This is the colored you asked for"
Whitchester said hastily.
The Pastoralist
tilted his head slightly, examining the child from head to toe. His expression
remained as flat as Virginia 's.
After a few moments, he opened his mouth.
"She's a bit small. She got the mange or
something?"
"No, no -
not at all," Whitchester answered hastily. "It's perhaps just the
drive up. We passed through some weather on the way. I can assure you, the
Office has given the black a clean bill of health. It'll be...productive".
The Pastoralist
took a huge, meaty hand out of his pocket and rubbed his chin thoughtfully
allowing several more moments of silence to pass between them. On the verandah
behind him two figures huddled at the corner of the house, watching the
exchange silently.
He cocked his
head around to his right and issued a shrill dog whistle that echoed across the
compound. The two figures, two young Aboriginal girls several years older than Virginia skittered
quickly along the verandah and stopped at the top of the stairs.
Without turning, the Pastoralist spoke.
"Take her to the out house. Clean her up. Get
her out of those rags"
One of the young women skipped down the stairs and
went across to Virginia .
The barefoot
teenaged girl wore a crisp, white linen dress with an apron. Her hair was shiny
and combed neatly to one side. When she reached Virginia she flashed her a warm, encouraging
smile and took her hand. The girl's skin felt soft and velvety against Virginia 's own. Quite
inexplicably, Virginia
felt a sharp jolt of something that had not experienced in a while.
It was hope.
As the girl
stepped up onto the verandah, the dog sitting across the compound tracked them
both with its eyes until they disappeared around the side of the house.
The Pastoralist
waited until the girls were out of sight then he turned on his heel and
ascended the stairs silently, leaving Whitchester to stand there alone,
awkwardly.
Eventually,
hesitantly, he turned and climbed into the truck. He started the engine and
drove away from the farm house, disappearing over the horizon as though he had
never existed.
From a window
of the farm house, a pair of eyes that were peeking out from behind a curtain,
held back by a petite and feminine hand, lingered for a time after everyone had
gone. The hand released the curtain and the eyes too were gone.
* * *
It was the
first bath she'd had in days and though she didn't say it, Virginia felt indescribably good to be clean
once more.
One of the
girls, whose name was Deliah, fussed over Virginia 's hair, massaging it with the ends
of her fingers, ridding it of all the dust and the grime that had accumulated.
The second girl, the one who had first greeted Virginia , was perched on her haunches in
front of her, armed with a flannelette cloth and was cleaning her face. This
girl, Marjorie, chatted away to Virginia as she washed, telling her all about
the farm, the chickens in the yard, the wood they used for the fire, the
shearing sheds nearby where the sheep were brought to for shearing, the stables
where the horses were housed and the farm house with it's beautiful furniture,
it's large kitchen with a big old cast iron stove and the ginger cat that
flopped around lazily on the table there.
Finally, Virginia was extricated
from her bath and was dried off with fluffy white towels. They dressed her in a
brand new white, cotton dress, similar to the ones they wore and an apron.
Deliah combed
her hair, parting it carefully to one side until she was satisfied, then she
nodded to herself.
"There you are" she said simply.
"Good as new"
"You don't say much do you," Deliah
noted. "Can't you talk?"
"Well,
that's no good" Marjorie observed dryly. "Because we love to talk
around here. We always talk - especially to the animals. They're the best ones
to talk to. All the time! Talk, talk, tal..."
"You love
to talk Marjy," Deliah cut in gruffly. "You'd talk the leg off a
horse if you were given the chance"
Marjorie
appeared hurt for a fraction of a second before she smiled and winked at Virginia .
Deliah appraised Virginia with her hands on her hips.
"You don't
have to talk if you don't want to...but it would be helpful to know your
name"
She cocked her head slightly, waiting for an
answer.
Unperturbed,
Deliah turned and went over to the bag Virginia
had brought with her, which lay on the bed.
Deliah opened
the flap and rifled through it casually, looking for anything that might be
labeled. Sure enough, she lifted one of the hospital dresses out of the bag and
inspected its collar.
"V. Crammond" Deliah announced.
"V...what is that...Violet?"
"Hmmm" Deliah mused. "Viole...What
about Veronica?"
Still Virginia
didn't move, didn't speak.
Deliah frowned
then looked down into the bag once more. She reached in and pulled out a rather
squashed and wrinkly rag doll - a bear - with patches all over and one missing
button eye.
She turned it
over in her hands and looked closely at some text written on a tag that jutted
out from one hip.
"Virginia" Deliah said. "Is it Virginia ?"
Marjorie grinned broadly and clapped her hands
together.
"Oooh - that is a lovely name" she
gushed.
Deliah
carefully returned the items to her bag and closed the flap once more. She
stepped towards Virginia
again.
"Well, Virginia it is then.
We'll look after you here Virginia .
This place isn't like the hospital. It's...different"
"We have lots of things to do and we're always
bus..."
The door to the
out building flung open abruptly and the huge figure of the Pastoralist stepped
through the entrance, ducking his head slightly to avoid hitting it on the door
frame.
Both Deliah and
Marjorie snapped to attention as his rose to his full height once more, while
Virginia froze where she stood, blinking up at the Pastoralist, completely dumb
founded.
He eyeballed all three girls.
"You got
her clean yet!?" his voice boomed in the confines of the room, causing
both girls to shudder where they stood, while Virginia remained deathly still.
The Pastoralist
inspected Virginia
up and down. He reached out and grabbed her hands in his own, seemingly
monstrous palms. He turned them over in his, checking to make sure they were
clean. He inspected her nails to ensure there was no dirt trapped underneath
them.
Once he was satisfied, he let them go and stood
back.
"Put her to work!" he snapped
malevolently. "There are chores to be done!
The Pastoralist
scowled at them, before backing out of the room and leaving without shutting
the door.
Once he was
gone, Deliah and Marjorie looked at each other with barely contained relief.
Marjorie crept
cautiously over to the entrance and peeked around the door frame to make sure
he was gone.
Deliah put her hand on Virginia 's shoulder.
"Come on kiddo" she said flatly.
"We'll start you out on the verandah"
And it was on
the verandah, where it began - this new life that Virginia had been foisted into. She had no
idea what was expected of her, no idea why she was here. Deliah fetched a wide
broom that was leaning up against the stone work of the house and placed it
into Virginia 's
hands. She gestured to the dusty wooden boards of the verandah.
"Start" she said simply.
While Deliah
assigned herself to an axe handle and Marjorie spirited herself away to the
kitchen, Virginia
stood on the front porch of the house, armed with the broom that was almost
twice as tall as she was. Slowly, steadily, Virginia extended the broom outward in her
hands and began sweeping.
With a
methodical rhythm, Virginia
quietly swept away what were the vestiges of her old life under the bristles of
the broom. It began well before dawn, when the night sky still twinkled with a
billion stars, with the twice daily routine of sweeping the entire verandah of
dust and grit. She was then directed to the chicken coop, down behind the out
house where she slept, where she collected the eggs then cleaned out the coop -
a constant battle she undertook with birds flying about her head and defecating
on her if she was not careful. After that, Virginia was put to work in the horse
stables, feeding the Pastoralists four horses hay each morning and night,
ensuring they had fresh water and mucking out the stables. Sometimes, she
chopped wood in the darkness of the pre-dawn and long after dusk, regardless of
the weather, wearing nothing but her linen dress and no shoes on her feet.
Chopping the firewood was the one task that frightened her. She struggled with
the heavy axe and could barely wield it. She constantly feared that she would
break it and she had already witnessed the consequences of breaking one of the
Pastoralists tools.
Once, Deliah
had done just that whilst attempting to split a particularly knotted piece of
timber. Deliah had brought the axe handle down, striking the wood awkwardly.
The handle broke clean in two. She stood there, blinking at the broken end of
the handle. As if from nowhere, the Pastoralist materialized and stormed up to
Deliah like a monstrous wraith, bellowing with fury. He snatched the broken
handle from Deliah, grabbed her throat with a huge, meaty hand and smashed the
splintered axe handle across her face, over and over, drawing blood through
gaping lacerations. His ferocity wasn't assuaged until she lapsed into
unconsciousness. Then, calmly, he threw her to the ground and walked away, the
bloodied axe handle still in his hand.
Stunned by the
horror she had witnessed, Virginia
turned away and continued with her own work, too frightened to go to Delilah’s
aid. She withdrew even further and refused to even look at the other girls or
anyone who came to the farm.
Her mundane
routine continued on and on and eventually, Virginia lost all concept of time. One day
melded into another. She saw the sun rise and set before anyone else. Hours
were swept away underneath the bristles of her broom. She made every effort to
avoid the attention of the Pastoralist. She quickly grew to fear him...to hate
him and she made sure she kept as far away and out of view as possible.
One particular
evening, just on dusk, when the shrill song of crickets floated across the fields,
Virginia
moved along the verandah in one direction, sweeping the wooden boards clean,
quietly proud of her work. She was careful to ensure that she had covered each
part of the verandah twice, making sure that no area was missed or that a rogue
collection of dust had accumulated behind her. The Pastoralist would skin her
alive if the boards were not perfect.
The dog sat
beside a rocking chair while she worked, watching her. The dog had become a
constant companion, even though Virginia
continued to ignore his presence.
As Virginia progressed, her
mind filled with images of home - as it often did - memories of sweeping the
small verandah of her parents’ cottage. Virginia
would look up to see her mother's smiling face as she watched Virginia with gratitude. Other memories
infiltrated. Of riding tall on her father's shoulders, laughing and singing as
together, walked along a track under the boughs of the eucalypts near the town.
She struggled
to prevent herself from being overwhelmed by grief as she stood here alone, on
this vast porch that could, for all the world, have swallowed her whole. She
broke down silently. Tears spilled from Virginia 's
eyes and dropped onto the boards under her feet. Panicked, she swept them away
with her broom, fearing that the Pastoralist would see her and punish her. She
felt herself growing despondent
Why am I here? Why can't I go home?
The questions
echoed, reverberating off corners and around bends inside her mind, tormenting
her.
She looked
across the compound, out through gates of the farm, along the road that
disappeared into the vast distance where - for all she knew - there was an all
consuming nothingness. Her desolation was complete.
Suddenly, from
behind Virginia ,
a sound issued forth from the closed window. It was a sound that Virginia had never heard
before - a long, crisp refrain that seemed to go on forever. It wavered
melodically then dissipated into nothingness.
In the parlor
beyond, a woman sat in a plush chair her back to the window. A gramophone with
a large brass horn stood on a pedestal in front if the woman. She was perched
slightly forward and was holding something in her hands, up against her neck. Virginia squinted in the
soft light from the parlor, trying to make out what it was. The woman drew a
long, thin stick with a string tied to it across the object, eliciting a sound
- the sound that Virginia
had heard.
Her grief had been completely usurped now, by
fascination.
The woman
played, stringing several of these long notes together into a coherent stream
of sound that sounded all at once somewhat mournful but also very pretty.
She watched, as
the woman played some sort of music with the object in her hands. To Virginia , at first
glance, it resembled something akin to a guitar. But she had never seen a
guitar quite that small.
Her attention
was so focused upon the woman inside, Virginia
failed to notice that the broom handle beside her started to slide downward
from its position, the head losing its purchase on the wooden boards.
Inevitably, it clattered noisily to the floor.
Crouching low,
below the window sill, Virginia 's
heart pounded in her chest. Panic coursed through her. She was unsure if the
woman inside had spotted her. The dog got to his feet and gingerly stepped
forward towards Virginia ,
whimpering softly with concern.
Several moments
passed before Virginia
carefully crept on her haunches to the fallen broom and picked it up as quietly
as she could. She did not dare look around. Satisfied that it was secure in her
grip, Virginia
quickly skittered away to the other end of the verandah and furiously began
sweeping once more - every so often stealing glances at the window at the far
end of the house.
The woman
inside the parlor stood at the window, looking out upon the spot where, just a
few moments before the child had been. She turned to one side and lingered for
a moment, a faint smile tugging at the corners if her lips.
Then she turned away.
DFA.
DFA.
This preview of "Gifts of the Peramangk" is Copyright © 2011, Hambledown Road Imprints.
So very curious now, Dean. Even in this excerpt, we get a hint of the tragedy that Virginia has suffered and its effects on her, and we begin to see her transformation. I think this will be a lovely story, so vivid, with such strong characters.
ReplyDeleteThank you Cee. It has been somewhat easy to construct these flashback scenes because I have based Virginia's experience on the experiences of real people who were taken in and around that time. The challenge is how to make these scene serve as an "echo" of the events that happen in the contemporary setting of the story. Using flashback scenes is actually pretty hard apparently.
ReplyDelete