Dangerous Ideas - A Conversation between Dean Mayes & Alice Fraser

I had the opportunity to catch up with one of my favorite people recently. Alice Fraser is a comedian, writer, podcaster and fascinating interlocutor. Alice is performing her new comedy show "Ethos" across Australia and during her run in Adelaide, we sat down in a little teahouse in the back streets of Adelaide's CBD and recorded an hour of really valuable conversation for her podcast "Tea With Alice".

 

We wrestled with some dangerous ideas that were a little hard to coax from me initially but eventually we got into a flow where I was able to articulate some thoughts I had about the #MeToo movement - my perceived exclusivity of the movement and how, as a male who has experienced sexual violence from a female perpetrator, the movement seems unable to handle the lived experience of those who don't fit an accepted narrative.

From there, we ventured into more philosophical territory, exploring how the modern discourse can be overwhelming to someone who is trying to understand and extend their understanding of the world beyond their simple origins. think I made the point at one stage that, as I get older, the less I feel I understand of the world and how to navigate my way through it.

We also talked about my adventures with botox and how it is keeping my throat from killing me. Oh - and my adventures in writing romance...as a man. 

 

Alice Fraser is a rare individual with a lightning intellect, a worldly outlook and a huge heart and I always treasure our catch ups. As I said, she is touring her show throughout 2018 here in Australia and the UK so if you're a fan of thought provoking comedy, I highly recommend you catch her show. 

Download & Listen to our conversation here. 

Visit Alice Fraser here. 

Tweet with Alice here. 

DFA.

Being Badly Motivated - A Look At The Bad Motivators Star Wars Podcast

The best Star Wars conversations, in my mind, are the ones that recall the best bits of your childhood. You know those ones - where you would gather round with your bestest friends, who were as equally in love with the saga as you, and you would wonder, speculate and imagine where George Lucas would take the story next. 

In the early 80's, that was my experience. Riding my BMX around the back hills of Yallourn North with my friends, playing cricket in the park, talking Star Wars whenever the opportunity arose. In those heady days, particularly during the years between The Empire Strikes Back and Return of the Jedi, there was never more enthusiasm for the franchise. There was a wide eyed wonderment, an innocence - and there were none of the complications modern day Star Wars fandom seems to attract with ferocity.

In the 80's, I was the kid in back (image credit 21 Laps Entertainment.)

I thought those innocent conversations were a thing of the past and I've often lamented it. With the advent of podcasting, a whole world of conversation is now available at ones fingertips - literally! And while this is welcome, for me, it's been a quest of mine to find a show that harkens back to those days in the early 80's when Star Wars was king.

The Bad Motivators podcast is, perhaps, one of the best examples of Star Wars commentary that captures the essence of my childhood wonderment around Star Wars. The brain child of Eric Strothers, Luke Cruser and Dallas Woods, The Bad Motivators broadcasts weekly and covers the latest news from the Star Wars franchise, discusses the hot topics which has captured the attention of fans and explores the wider themes from the franchise that have so inspired millions around the world.

The Bad Motivators album art  - (image credit TBM)

The genius of the show - which takes its name from a scene in A New Hope where Luke Skywalker informs Uncle Owen their initial droid purchase from the Jawas has a bad motivator - lies in the infectious enthusiasm of the hosts, who approach Star Wars in a way which recalls that childhood wonderment I spoke of earlier. I've noted a tendency for Star Wars themed podcasts to approach the franchise with a cynicism, a need to knock aspects of the franchise they don't like. These shows also make the mistake of making the show about themselves and they assume a sort of ownership over Star Wars that leaves little room for inclusiveness, a variety of viewpoints and a respect for the franchise. 

"This R2 unit has a bad motivator. Look!" - (image credit Lucasfilm Ltd.)

The Bad Motivators approach their fandom with reverence for the saga, a positivity that is refreshing and an enthusiasm for their audience. They invite you in, make you feel welcome and you leave with a smile on your face.

The Bad Motivators & friend - (image credit Dallas Woods).

I often wonder what it would've been like to have lived back in the 80's and had access to the kind of podcasting The Bad Motivators produce. I think it would have made the experience just as cool. In this day, and age though, The Bad Motivators shines a positive light in the dense world of Star Wars fandom. 

Tweet with The Bad Motivators here.

Subscribe to The Bad Motivators on iTunes here. 

Subscribe to The Bad Motivators RSS feed here. 

Shop at The Bad Motivators store here. 

DFA.   

Reaping The Blue Harvest - A Look At Blue Harvest: A Star Wars Podcast.

This week, I wanted to continue my exploration of pop culture podcasts with a look at a show that I really look forward to in my podcast feed each Saturday morning.

Blue Harvest: A Star Wars Podcast is a show that has quickly come to be my Saturday soundtrack and I look forward to each episode in much the same way that I looked forward to Saturday morning cartoons as a kid - so it has the dual effect of being a satisfying listening experience as well as recalling those affetionate days of my childhood.

(image credit: H. Burkhardt.)

Here's a little nugget of trivia which Star Wars fans will appreciate. Blue Harvest takes its name from the long celebrated "code name" George Lucas gave to Return of the Jedi while it was in production. So concerned was Lucas in 1982 with potential leaks from the Yuma, Arizona set of the film, he concocted an elaborate cover for the production, dubbing it Blue Harvest: Horror Beyond Imagination. He even had T-Shirts and caps made up for the production team, merchandise which commands a high price amongst collectors today.

(image credit: Lucasfilm/Disney.)

Taking its name from that Lucas sleight of hand, Blue Harvest: A Star Wars Podcast is hosted by Birmingham, Alabama natives Hawes Burkhardt and Will Whitten. Together they bring a vast catalog of knowledge around Star Wars lore as well as a great enthusiasm and love for the franchise that has fomented in them from their earliest days of childhood.

Blue Harvest on-air team Hawes Burkhardt & Will Whitten (image credit: H. Burkhardt.)

Whereas sister podcast, Rogue Won: A Star Wars Podcast For Winners draws is strength from its comedic timing and a more bolshy presentation, Blue Harvest is a more intimate conversation between hosts and life long friends Burkhardt and Whitten. They explore Star Wars topics at length, discuss news and insights from the current productions with an authoritative voice and they wade into the tangential, exploring a wide variety of theoretical permutations in Star Wars story ideas and relish in the many "what if" scenarios those ideas throw up. I don't want to say that Blue Harvest is a more intellectual offering than its podcast mates across the Making Star Wars podcast network - but it does delve deeper into areas of Star Wars lore and culture, making it a unique show, unafraid to stand on its own.

Another appeal of Blue Harvest is Hawes Burkhardt and Will Whitten's commitment to musicians in Birmingham, providing a platform for them to showcase their music to a wider audience. The show's excellent opening theme has been generously provided to them by Birmingham metal band Stoned Cobra. A thumping metal track that builds from a subtle introduction, the song has been tweaked with some clever editing and includes key lines of dialogue from all six Star Wars films. These have been stategically placed throughout the crescendoing stanzas of the track and one can't help but get drawn into the powerful refrains from the lead guitar, especially when Darth Vader's voice rumbles satisfyingly along side it. It is a small aside but it helps to define the show in a really clever way.

Blue Harvest: A Star Wars Podcast takes the Star Wars fan conversation to another level and mixes old school childhood enthusiasm with world weary grown up affection to present a weekly show that is the perfect Saturday morning antidote after long working week.

I love it.

Subscribe to Blue Harvest: A Star Wars Podcast on iTunes.

Subscribe to Blue Harvest: A Star Wars Podcast on Podbean.

Connect with Blue Harvest: A Star Wars podcast here.

Tweet with Blue Harvest: A Star Wars Podcast here.


DFA.

Star Wars In My Ears - A Look At The Sith List Podcast.

There is no doubt that popular culture and popular entertainment has exploded in recent times. The seemingly unending cornucopia of super hero franchises as well as high end television franchises now serve a fan base that was unthinkable in terms of numbers when I was growing up in the 80's. And it wasn't until the popularity of the Internet really kicked off in the early 2000's that fans and fan communities from all over the world could interact with each other. 

I've observed this pattern for pretty much my entire life, having been born into world at a time when Star Wars erupted onto the screen and into the public consciousness in a way that was unprecedented. And, I've derived immense joy - particularly recently - in having found a global community of pop culture fans who appreciate pop culture as much as I do.

The nexus of this interaction has been audio podcasts which have allowed friendships to spring up, discussions to take place and generally good times to be had.

So, this week, I'm continuing my exploration of the podcasts that have filled my ears and have given me a whole lot of satisfaction and joy. I want to share with you a show called The Sith List.

(image credit: Iraj Dowlatshahi.)

The Sith List is a weekly pop culture podcast that covers not only Star Wars - which, of course, is catnip for me - but it explores a broader spectrum of popular culture and engages wide ranging discussions on the likes of Marvel, DC, Lost, Game of Thrones and The Walking Dead - just to name a few. 

Hosted by Iraj Dowlatshahi and Carlos Arguello, The Sith List's appeal lies in the team's keen knowledge of a wide variety of pop culture franchises and their passion for the storytelling, characterizations and lore contained therein. They also step out of the in-universe content to explore and discuss behind the scenes aspects of the various franchises, drawing on up-to-the-minute news items from reputable entertainment sources. Their commitment to factual reporting is really admirable in a sea of similarly constructed audio productions who don't strive for that level of accuracy.

The Sith List hosts Carlos Arguello & Iraj Dowlatshahi. (image credit: Iraj Dowlatshahi.)

What I also really like about the podcast is that, for the casual fan - who may not be familiar with a particular franchise - Iraj and Carlos present their show in such a way that you don't necessarily have to be a fan. They make their content accessible and actually invite the listener into a given franchise by giving enough background information that one is encouraged to go out and look further. 

Their discussions, their debates are lively, sometimes passionate but always entertaining. With a roster of guests drawn from within pop culture fandom, you can be guaranteed to be informed as well as entertained by the differing opinions put on show. 

There is also a healthy dose of nostalgia available in The Sith List - one that especially appeals to us 80's kids for whom much of our Saturday mornings are but a distant memory. 

The Sith List brings it all back with affectionate immediacy.

Subscribe to The Sith List on iTunes here. 

Subscribe to The Sith List's generic feed here.

Connect with The Sith List here. 

Tweet The Sith List here. 

DFA.

When Star Wars Rogues Unite - A Look At Rogue Won: A Star Wars Podcast.

In the ever expanding world of Star Wars podcasting, fans of the block buster franchise are spoiled for choice. A quick iTunes search will immediately yield dozens of shows examining the minutiae of Star Wars - from the films, to television, to collecting, to gaming. Literally any branch is catered for. 

As a long time listener of Star Wars podcasts, I've traversed all of these branches of fandom in audio form and have encountered many fine examples of Star Wars podcasting. My tastes have evolved over the years. Whereas once, I sought out podcasts with a specific bent - like collecting, nowadays I find myself drawn to more general conversations about Star Wars that speak to me as life long devotee of the franchise - podcasts that remind of the kind conversations I used to have with my childhood friends growing up in the 80's.

In the past two or three months, I have come to the podcast Rogue Won: A Star Wars Podcast For Winners. Adapting its name from the most recent film in the franchise, Rogue Won is hosted by New Jersey native Johnny Grasso, Alabaman Hawes Burkhardt and New Yorker Michael Pappas, Rogue Won is a weekly show that explores the most recent news pertaining to the franchise and engages in a lively banter about Star Wars that harkens back to those distant back and forths I had from childhood.

The genius of Rogue Won lies in the engaging personalities of the hosts - the razor sharp and lovable smart arse in Johnny Grasso, the gravelly acerbic and witty raconteur in Hawes Burkhardt and the bolshie tough guy with a heart of gold in Mike Pappas. They bring the show together from across considerable distances in North America to present an almost small town audio love affair with Star Wars that oozes charm and recreates the child like appeal that Star Wars draws from within all of us fans.

Rogue Won's on air team (L-R) Johnny Grasso, Hawes Burkhardt, Mike Pappas.

And yet, underlying this veneer is a smart and analytical exploration of franchise news, franchise politics and fandom - aided by the fine repository of up to the minute content from the team at Making Star Wars - that goes beyond the superficial. It is often fearless, unafraid to poke holes in the imperfect beast and it baulks at the kind of sycophantic devotion to Lucasfilm inherent in other podcast offerings. But it does so while maintaining a respect and reverence for the franchise and, as such, this sets Rogue Won apart. As a result - and in quite a short span of time - Rogue Won has cultivated a loyal army of listeners and fans which has undoubtedly contributed to its rapid rise on the iTunes charts.

For me, Rogue Won: A Star Wars Podcast For Winners rekindles that old school innocence of 80's Star Wars fandom and as such, it rises above many of the other podcast offerings out there in the wilds. 

Visit Rogue Won: A Star Wars Podcast For Winners here. 

Subscribe to Rogue Won at iTunes here.

Join the Rogue Won Army here.

Ground (Snore) Zero.

It's a damp Tuesday morning and I sit here, in the study, my mind swirling - literally. 

When I woke from my otherwise broken sleep at 6.30 this morning, the first thing I did was prepare my morning cocktail of medications. I'm currently on a regimen of pain killers including Celebrex, Tramadol, Panadol, an anti-inflammatory called Dexamethasone, a drug to prevent bleeding called Tranexamic Acid, an antibiotic called Amoxycillin and an antiseptic mouth wash called Difflam. Through out the day, I have to dose these out, interchanging the pain tablets with the others, so I can get a balance of effect that lasts.

Remember that scene in Prascilla - Queen of the Desert when Terrance Stamp's Ralph sat preparing his morning hormone pills by simply tipping them into a breakfast bowl and pouring milk over them? 

Yeah - that.

(I was seeing orange unicorns here.)

The downside of all of this is that it sends me loopy. My head is spinning, my balance is shot and my mind is foggy. Oh - and I'm having some awesome hallucinations. It's either that or endure a constant feeling of razor blades slicing at the back of my throat. I'm also experiencing a neuralgic pain that shoots up into my ears from either side of my jaw. I have to time the taking of these painkillers right so that the analgesic effect kicks in before I even contemplate eating anything. 

Eating. 

Everything I am eating presently is either soft or pureed. Which isn't actually as bad as it sounds. When I was in hospital, they brought me a little tub of pureed apple on my breakfast tray which actually tasted really nice so when I came home and Emily asked me what I would like from the shops, I made sure to write that one down. I've started pairing it with some Greek yoghurt and for the time being, it's a little treat to myself. I look forward to that one. I'm also sharpening my vegetable soup making skills. A soup pack from the shops containing a couple of carrots, celery, an onion, a turnip, a parsnip, a sweet potato costs like a couple of dollars. I add to that half a butternut pumpkin and slow cook the lot in some stock until it's all ready to be zipped into a puree. At the moment, I love this soup but I fear that I may tire of it quickly. I can drink cold tea - a Twinings earl grey. It's a bit pedestrian but, even cold, it's okay. 

My swallowing function, while it's affected by the post operative swelling and inflammation, is serviceable - so long as I don't have anything remotely solid. I tried some banana the yesterday. It sent my throat into a spasm that had my eyes bulging out of my head. 

I can't speak. My voice has been reduced to barely functional whisper and when I have tested it, it bloody hurts. I knew this was going to be the case but it now that the reality has set in, so has my depression. Trying to communicate with my family has proved challenging with me trying some rudimentary signing for obvious things and mouthing words in the hope that they will understand me. It works about fifty percent of the time but it has been bloody frustrating. 

So, I'm here alone in the house. Trying to keep my mind busy with reading and counting down the time to my next lot of pain killers. I have plenty of movies and a PS4 - I watched Deadpool yesterday. What piece of shit that was. 2 hours of my life I won't get back. Gaming is good for short periods but the games send me even more loopy and they make me feel sick. 

(Lucy makes the best Get Well cards.)

In all of this, there may be some light to look forward to. The surgery went well - very well in fact, and while the surgeon had to remove the bone from my voice box as was planned, he was able to preserve the anchor point between that bone and the right hand vocal cord. It's in a precarious state right now so I am forced to rest it completely - at least until the healing process is complete. 

So there's a chance that I can salvage some of my voice. A little one - but I'll take that right now.

DFA.

Listen to my interview with Alice Fraser, recorded before all of this malarkey.

At The Fringe with Alice Fraser's The Resistance.

Melbourne based comedian Alice Fraser first came to my attention in 2015 when she featured on Wil Anderson's Wilosophy podcast. Over the course of a couple of hours Wil and Alice explored her life growing up in a Buddhist household in Sydney and how the influence of her paternal Jewish and maternal Catholic family informed and shaped her as-yet-to-be-fully-explored philosophy on life and how she fits into it. I was immediately taken by how Alice recalled the important people in her life, not the least of which was her grandmother - a Holocaust survivor - and I was equally moved by her experience of growing up with a chronically ill mother (who had M.S. and later cancer) and how her family had journeyed through that experience. 

Alice's appearance on Wilosophy lead me in the direction of her own podcast, "Tea With Alice", a weekly conversational in which Alice interviews her contemporaries, often in relaxed settings - be it her Melbourne flat, or a local cafe or even a back garden - the centerpiece of which is a nice cup of tea, of their own choosing. Each episode is a conversation about life and where each guest is in it. Sometimes comedic, often reflective and always satisfying, I always come away from an episode feeling as though I have learned something. Additionally, I find myself shedding previous orthodoxies of thought around beliefs and opinions I have held and I see things from different perspectives. 

That, to me is a powerful thing.

Alice Fraser - The Resistance (image credit; Alice Fraser).

Last night, I got to spend an hour watching Alice Fraser perform her new show "The Resistance" for the Adelaide Fringe. Going into the show, I had a little bit of an idea of what to expect from the conversations Alice has had around her comedy on her podcast but I didn't seek out her previous material because I wanted to watch her show with a fresh set of eyes. 

The Resistance starts subtly, with a warm introduction that brings the audience into her sphere and encourages them to be a participant rather than an observer. Alice regaled the audience with song either played on a stubby little electric piano or strummed deftly on a banjo. And then Alice dropped an observation about the association between comedy and tragedy. It was a subtle one but it intrigued me.

  

Alice Fraser (image credit; Alice Fraser).

Over the course of the first half of the show, Alice took us on a conversational walk through her growing up in Sydney. It centered around her Jewish grandmother - an apparently wonderful and horrible woman who owned a block of flats in Sydney and who referred to a group of locals with varying degrees of derision and affection. Alice recalls one instance where a group of gays found themselves homeless after a fire burnt their house down. Her grandmother observed that the faggots were now homeless, but I must make them a lasagna! She apparently proceeded to house them until they were able to get back on their feet. 

Alice then recalls three key characters from the block of flats, a bi-polar Chilean gardener, an illiterate Hungarian woman who always wore a head scarf and twenty dresses and an Indian woman who donned luxurious, brightly colored dresses and espoused the need to make oneself attractive to men - but who always wore a veil to hide her face. How her grandmother and these three figures informed Alice's childhood and adolescence is hilariously sweet and breathtakingly inappropriate all at the same time and there wasn't a moment in that first half where the audience wasn't laughing or chuckling or appreciating the irony of these characters. 

And then the show took a turn. 

I'm unsure as to how much I should reveal here so, in respect to Alice, I'll keep it brief. The turn that came punched me in the gut. 

Alice's grandmother. The Chilean gardener. The illiterate Hungarian woman. The Indian woman. All of them came to circle in each others orbit through circumstances that are achingly powerful and emotionally bitter sweet. All of them had resisted in some way and it is this Resistance that salvaged them from particularly dark experiences in their lives. At one point, you could have heard a pin drop from the audience as Alice Fraser revealed to us all the powerful notion that the link between comedy and tragedy is such a small one - and indeed, even within tragedy, there lies comedy. And sometimes comedy is the only thing that preserves our sanity. 

At the conclusion, I felt privileged to be able to meet Alice briefly and thank her for such a wonderful performance and I left the theater feeling as though I'd learnt something about being human.

See. This. Show.     

Alice Fraser is an award winning writer, broadcaster, performer and comedian.

She's also an ex academic, ex-corporate ex-Lawyer and terrible banjo player (her words - not mine!).

Alice returned from her debut Edinburgh Fringe run last year with her critically acclaimed solo show Savage, which received four and five star reviews, as well as packed out audiences in Edinburgh after a run at the Sydney Comedy Store. Her weekly podcast "Tea With Alice" welcomes an eclectic group of like minds, artists, comedians and writers to discuss life over a cup of tea. Alice also contributes regularly to SBS Comedy.

Book tickets to The Resistance here. 

Visit Alice Fraser here. 

Tweet with Alice Fraser here. 

DFA.

Breaching the Shield Of Lies

As we wind down towards the summer holidays here in Australia, I'm looking around for some choice titles to take away with me on my upcoming break. Today, I wanted to spotlight an author who, I think is really talented and able to cross genres and styles effortlessly.

Alan R. Ryan is a Queensland based author and podcaster who has steadily built a profile through his weekly podcast "Jogcast Radio" exploring pop culture and science fiction in a really enthusiastic and entertaining series of conversations.

As a writer, Alan displays an equal volume of enthusiasm and crafts really engaging stories, the latest of which, a novella called "Shield of Lies: A Jack Taylor Adventure" promises to kick off a kinetic series of actioners that genre fans will love.



Jack Taylor has seen it all in the K and R business. He’s saved many lives and always works for the highest bidder. As the top consultant for McMillian he’s the first man on the scene when trouble begins.

When a doctor by the name of Paul Bluegrass is kidnapped while on work in the war torn areas of Baghdad, Jack and his team are called in to supervise and get Paul back to his safety.

What follows is an adventure through corporate channels, to the site of war and beyond as Jack has to face insurmountable odds, a sketchy unseen enemy and the reality of what really happened in the Iraq War.

Ryan's nods to the great political action thrillers that adorn airport book stores are resplendent throughout this quick fire novella. There is a good sense of pacing and a firm grasp on the geo-political nuances of our time which adds a sense of immediacy to the narrative and the character development is handled deftly - even with the shorter nature of the novella. I think the shorter form stories get a bad rap because of their brevity. But if they are handled well - as is the case with "Shield Of Lies" - they can prove themselves as being every bit as entertaining than their longer form counterparts.

Shield of Lies is available now in the Kindle Store.

Connect with Alan R. Ryan here.

Subscribe to Jogcast Radio here.

DFA.

Dean & Lucy from Australia Read Bedtime Stories (Podcast).

So...we're fortunate in our household that both our children have taken to reading and story telling with the kind of enthusiasm that makes bedtime a welcome part of the day. My wife and I take it in turns (mostly) to read to the children, swapping between our 9 year old son and 6 year old daughter. 

A few nights ago, my daughter Lucy, asked me - quite out of the blue I might add - what a podcast was. Apparently she'd been talking to her school friends and they were discussing story telling podcasts. I've no idea which ones they were talking about but Lucy told me that she wanted to do a story telling podcast of her own and could she and I record one. 

Evidently, the ability to record audio nowadays is pretty easy, so we decided to have a crack. So in the interests of sharing, I'd like to present to you our *ahem* attempt at story telling with a short read through of "The Night Fright" from the popular Australian "Billie B. Brown" children's books by Sally Rippin - one of Lucy's favourite authors.

DOWNLOAD .MP3 as read by Dean and Lucy Mayes. (right click and 'Save As...').

Billie loves hanging out with Rebecca's older sisters. They make her feel so grown-up! But is Billie grown-up enough to handle the scary movies they like? 

Sally Rippin was born in Darwin and grew up in South-East Asia. As an adolescent she studied traditional Chinese painting for three years in Shanghai and Hangzhou. Returning to Australia, her time overseas inspired her first novel Chenxi and the Foreigner. Sally has also written and illustrated many books for children, including titles from the Go Girl and Aussie Bites series and the popular Fang Fang stories. She is also the illustrator for many others, including the recent Me, Oliver Bright (2009) by Megan de Kantzow and Mannie and the Long Brave Day (2009) by Martine Murray. Sally lives in Melbourne and writes and illustrates full time.

Run time is a little under 15 minutes and we had a lot of fun recording this at bedtime. 

DFA.

Knuckle Dragger by Scott Taylor.

There are facets of life that have to be seen to be believed. In the absence of personal experience, there are those who can document and retell them with hilarity, fearlessness and, at times, great affection. 

Knuckle Dragger - by Aberdonian author and podcaster Scott Taylor is a project that he has slaved over for more years than he would care to admit. Having watched the project grow, stall and start again through periods of distraction and self doubt, I can empathize with just how challenging it has been for Taylor to bring Knuckle Dragger to fruition. That it is now in the public realm is certainly a significant achievement for him - if only for the fact that so many people were pushing him to get it out there. 

What would you do if you caught your man-sausage in your zipper at work, then had to race to the hospital where a sleep deprived, homeless looking doctor tried putting it back together with what looks like fishing trawler rope? Or what about having someone try to ram a full twelve inch, burning hot pizza up your nose while you’re driving a car at speed? 

Maybe you too have suffered an unsolicited winky appearing into your toilet stall while you go ‘boom boom’, and then had to batter it away with the nearest heavy blunt instrument you could find. Or perhaps you've watched a bored Highlander tear apart a designer sofa with a chainsaw in the middle of an executive charity ball evening? 

If not, then this collection of tales from over 23 years of working as a club and bar bouncer could tickle your proverbial fancy. Join Scott Taylor as he shines a light on the funnier side of the late night industry and his life around it, and brings you a collection of stories that are sure to either bring a smile to your miserable face, or at the very least bring back up your cheap supermarket lunch all over your stupid designer skinny fit t-shirt.

Of course, the book itself is a significant achievement on its own terms. In Knuckle Dragger, Scott Taylor distills 20 odd years of a life spent 'on the doors' in Scotland's urban jungle into a bitingly funny and sharply observant account that will have your jaw on the floor, your sphincters tensing uncomfortably and your accessory muscles rupturing - and quite possibly bleeding. I had the rare privilege of reading several early drafts of Taylor's work and there was comedic brilliance in it from the get go. He has stuck to his guns and refined the narrative into something special. It is at once, slick and polished but it is an inviting read - if you are one for whom little shocks you. There's a warmth and affection in the way Taylor portrays certain characters, while others for whom he has less affection for, he lavishes with an even greater spread of comedic take down. 

Scott Taylor & "friend".

Taylor's approach in recounting these grand, salubrious and often shocking tales is full of enthusiasm and wit but it is his tome that elevates Knuckle Dragger above the level of the front bar stories told over generous pints. Imagine, if you will, the love child of Noel Coward and Randall "Tex" Cobb combined with the verbose tones of a Frank Thring. Knuckle Dragger has a particular kind of poetry in it's observations of the night time world. 


Scott Taylor is the host of the globally popular DHB Radio Show and a 20 year veteran in the security industry. 

Visit Scott Taylor here.

Purchase Knuckle Dragger here. 

Listen to the DHB Radio Show here.

DFA. 

Everyone Has A Story - A Look At "Tell The Bartender".

The maxim "everyone has a story to tell" is one that I whole heartedly proscribe to and, it seems to me, the best of those stories often come from the off beat places. There is also much that is true about the bartender being a font of stories. They are in a unique position to absorb and interpret the countless vagaries of the human experience which are often told in a number of situations and emotional states. 

I discovered the wonderful Katharine Heller - herself formerly a bartender - via Keith and the Girl and her show "Tell The Bartender" has quickly become essential weekly listening. 

Born and raised in the Bronx, New York, Katharine studied at the esteemed Macalester College in St. Paul, Minnesota, where she earned a BA in Communications and Theatre. While there, she appeared in numerous main stage shows, and co founded the school's improv comedy troupe, Fresh Concepts.

Since returning to New York, Katharine has been performing in theatre, film, television, improv shows, and does voice over work for commercials and animated television. Her official website has a great video resume of some of her work and it displays her considerable talents writ large. Her humorous romance novel, The Boy in the Basement, was turned into a full length play of the same name and has been produced in various locations around New York and the Midwest. 

She is continuing work on her one woman show, My Dad's Crazier Than Your Dad: A Scientific Inquiry which was received with critical acclaim at the 2010 New York International Fringe Festival.

And, of course, Katharine was also a bartender for eight years at several fine establishments in Brooklyn, New York. Though not technically a bartender anymore, Katharine still enjoys making drinks and listening to people talk.

And therein lies the genius of the show Tell the Bartender? 

Put simply, it is bi-weekly storytelling podcast hosted by Katharine, featuring tales from everyday people with unique stories. From the first listen, I knew I had happened across something really special. As an interviewer, Katharine approaches her subjects in a way that disarms them - in a good way - and allows them the freedom to explore the story of themselves without hesitation. Heller is able to hone in on specific comments and points of interest and encourages the subject to expand on those which uncover untold nuggets of gold. I have described it is a kind of one on one TED talk, where the subjects are routinely funny, poignant, conversational, emotional and enlightening.

As the show has grown and Katharine's roster of guests grows with it, the true genius of what she does with Tell The Bartender shines. 

Just this week, I listened to the latest episode, in which Katharine gives the floor to an amazing young woman in Micaela Walker. In what is, arguably, the most powerful 20 minutes of audio I have ever, Micaela recounts her experience as a new mother of twins, Roan and Lula. Roan was born healthy however Lula was gifted to her parents with an incredible set of medical challenges that would challenge their very perceptions of life, nature and medicine. On the first listen, I was an emotional mess - and me being a 20 year veteran of both Paediatric and Neonatal Intensive Care Nursing. By the fifth listen, I am convinced that the term hero needs to be redefined.

Katharine Heller and her show "Tell The Bartender" are the kind of treasures that should be savoured and kept. Whenever I feel a need to laugh, to cry, to think and to be thankful, an episode of "Tell The Bartender" is a tonic that is more powerful than any medicine. 

Subscribe to and Download "Tell The Bartender" here. 

Tip "Tell The Bartender" here. 

Like "Tell The Bartender" here.

Tweet Katharine here.

DFA.

Dean's novel "The Hambledown Dream" is on tour.

(Click through to the Event Page at FB).

Bastards I Have Met - A Look At The Doghouse Bastards Radio Show.

In the ever evolving landscape that is internet media, there has been all sorts of programs - both audio and visual - which have come along and staked their claim to a patch of the huge real estate offered by this modern form of media. In the broadcast audio medium alone, there is, quite literally, a dizzying choice for the discerning audio listener to choose from and one can easily find something to suit their individual tastes.

I, myself, tend to gravitate towards comedy, satire and dare one say it - gallows humour.  Though gallows humour, by definition, refers to grim and ironic humour found in desperate or hopeless situations, I tend to look upon it more broadly as a more conversational and observational humour that flirts with a line and invariably crosses over it. 

Ricky Gervais is one such example of a wildly successful podcast that mixes humour and satire together brilliantly in a deliciously offensive - depending on your perspective - and thus hilarious brand of internet radio. Stephen Fry has commanded a similar, large following through his more genteel brand of comedy. Regular visitors to my site will know of my avowed devotion to the New York podcast Keith and The Girl where, their similar free reign to talk about any and all subject matter means they can get away with blue murder (figuratively speaking of course) and thus produce a unique brand of comedy, so blisteringly funny that I routinely find myself in tears of laughter. 

Today, I wish to shine the spotlight on another internet radio show which has quickly and affectionately risen to the top of my weekly audio listening roster and now stands as thee source for the inappropriate humour I crave.

Back in 2011, quite unassumingly, a couple of guys got together in the Scottish city of Aberdeen to lay down the first audio of what was to become The Doghouse Bastards Radio Show. Hosted by long-time door steward Scott 'The Sasquatch' Taylor, and co-hosted by the curiously named Peter "Mr Pink" Pink and Steev "Thunderc*ck" Early, the DHB - as it has become affectionately known - presented itself as a mish-mash of political in-correctness and conversational humour that examines sex, relationships, work, play and life from a kind of intelligent, working man's point of view.

I became aware of the show through my friendship with Taylor himself, although he didn't immediately reveal to me what he was up to at that time. I think he was a little hesitant of revealing to much of the show's existence initially because he was unsure whether it was going to work or not.

Suffice to say, The Doghouse Bastards Radio Show, has become somewhat of an internet sensation, rising to the top of the iTunes comedy podcast charts and routinely logging downloads in the thousands.

For all its outward crassness and "blokey" bravado, it's not hard to examine why the show works

The feel of the DHB Radio Show reminds me very much of the kind of conversation I used to observe among the working men who would congregate at the Pub after a long day at work - particularly those men who worked in the coal fired power stations where I grew up in country Victoria, Australia. To point out a more local example (in terms of the show's origins in Northern Scotland) it's a similar kind of humour that was characteristic of the dockworkers of the Glasgow shipyards which gave rise to the likes of Billy Connolly. Among these hard men, some of the rawest observational humour could be found. It was uncompromising, often inappropriate but at the same time it was wickedly intelligent and required a quick mind to appreciate the thrust of the comedy to be found within, Moreover, it was affectionate with a generous slab of self deprecation...

...which thus made it fucking funny. 

Similarly, the DHB radio show takes that kind of witty, workman's humour and loosely structures it into a two hour long radio show that is part sketch comedy, part observational humour and pop culture satire. 

Helmed confidently and with Billy Connolly-esque comedic timing is Scott Taylor, a career door steward and security specialist, who conceived and produced the show and has almost single handedly converted a room in his house into a professional grade studio that is the nerve centre of the show itself. Taylor is also a talented writer, having contributed to a publication a few years ago titled "Bouncers and Bodyguards - Tales From A Twilight World" that chronicles numerous accounts from career security personnel, nightclub doorman and bodyguards and was something of a sleeper hit when it was released, becoming a best seller around the globe.

Scott "The Sasquatch" Taylor.

Along with Scott Taylor is his acerbic and world weary co-host Peter "Mr Pink" who presents 'via satellite' from his remote studio in the north coast Scottish town of Thurso. An in-joke that has become the hallmark of the DHB is the fact that Peter Pink appears weekly, via video, wearing a pink balaclava and sun glasses and thus the audience who tunes in via the live video stream aren't privy to his true identity. This allows Pink the relative freedom of unleashing his own expletive ridden brand of comedy that is lightning quick and razor sharp. 

Peter "Mr Pink" Pink.

Steev "Thunderc*ck" Early can best be described as the gentleman of the DHB in-studio team - a man who offers affectionately wry observations about life that often come out of left field and routinely reduce the team and listening audience to fits of laughter. Similarly, his somewhat pathetic grasp of anything pop culture pre-1985, is a priceless source of comedy that is mined relentlessly on the show. Steev's appearances on air are broken up by long stints away with his work - but his returns are invariably fodder for stories with a comedic bent.

Steve "Thunderc*ck" Early.

Rounding out the team is a Richie Maynard who Scott routinely describes as the "Monday Night Highlight" or the "Money Maker Maynard". He swaggers into the studio weekly with a voice that is caramel smooth and plays in beautiful contrast to the kinetic energy of Scott and the biting satire of Mr Pink. I like to describe him as the Billy Dee Williams of the DHB Radio Show - Women want to be with him, while men want to be like him. In a similar fashion to Steev, Maynard delivers a nuanced comedic contribution to the on air team that hums with an electric energy and routinely guarantees laughs.

Richie "The Money Maker" Maynard.

Regular contributors to the show include Claire "The Fairy Bastardess" Cooper who is a fire cracker of a woman, an uncompromising lass with a potty mouth but a heart of gold, Jo "Jaybles" Banlana and Tracy "The Flaps" Neilly, both of whom have the most unassuming natures, almost incompatible with the kind of wrecking ball humour the DHB serve up and yet both girls can match wits the boys and routinely surpass them, leaving them speechless. 

The team as a whole have a chemistry that is undeniable. It is clear, listening diligently as I have for the past two years, that all of them enjoy what they do immensely, thus the quality of the show - both from a technical stand point and a comedic flavour - works effortlessly.

I have remarked privately to Scott Taylor himself that, working in the high stress job that I do, I like to blow off steam in such a way that I can remain sane therefore I connect very much with the spirit of that working man's humour that the DHB offers up on the good dinner ware week after week. This is a phenomenon I have observed from many who work in similar industries - from medical, to emergency services, law enforcement and the military - and there is a potent validity to the psychological benefits of the occasional indulgence in inappropriate humour. Indeed, I know of serving military personnel in both Afghanistan and Iraq, who download the show as soon as a fresh episode hits.

The genius of the DHB lies in its ability to "take the piss" out of the hyper serious nature of society and modern culture - especially pop culture - where too much value is placed on celebrity and too much stock is invested in political correctness. 

As a social document, The Doghouse Bastards Radio Show has supreme value because it allows us the pleasure of being able to laugh at ourselves and it encourages us to not take life so seriously.

Subscribe, Shop and Donate to the DHB here.

Connect with the DHB here.

Tweet with the DHB here. 

DFA.