Showing posts with label psychological. Show all posts
Showing posts with label psychological. Show all posts
Wednesday, July 6, 2016
Sunday, August 2, 2015
Seeing Hayley - Previewing The Water Seer by HMC Writer.
Continuing on my path of profiling talented Australian artisans, musicians and writers, this week, I'd like to share with you a sublime scribe in Queensland based author Hayley Coates, who goes by the moniker HMC.
From her home on Queensland's Gold Coast, HMC balances her career as an author with teaching while raising her two children with her "motorbike-loving Viking" partner. HMC recounts that she writes for the pure pleasure of being able to express herself and to think critically about issues that are passionate to her.
HMC says - "I blog about asylum seekers, gay rights, tattooed professionals, robot dancing, baby poo, and so on … you know, the juicy stuff. I’m sometimes serious, but mostly not."
There is bohemian quality to HMC that I find really attractive. Her stories challenge a literary orthodoxy, presenting people and situations that far removed from mere "paint by numbers" genre pieces. They are absorbing and thought provoking.
HMC is most definitely, an author you should know.
Visit HMC here.
Goodreads HMC here.
Connect with HMC here.
Tweet HMC here.
DFA.
(image credit: HMC Writer & Cristal Bettany).
I first encountered Hayley back in 2012 when we collaborated on - and were featured in - an anthology of Australian writers called "Great Southern Land - Tales from Australia". Her contribution to that anthology was a earthy character piece titled 'Bobby, Be Good' which I regarded, at the time, as being perhaps the strongest entry in the book.
Soon after that anthology, HMC published "White Walls" - a taut, psychological thriller set right here in Australia that, to my mind, cemented HMC as an author to watch. Her command of the genre in White Walls was gripping and it garnered universal praise for its involving story, vivid characterizations and mind bending concepts.
(image credit: HMC Writer.)
In amongst an impressive body of subsequent short stories, anthology contributions and thought provoking essays, HMC has been working away diligently on a new project called 'The Water Seer'. And now that project is about to see an international release in digital format in September this year, with a print release to follow in October.
The Water Seer promises more of HMC's signature style that has so captivated readers to date but it also promises to showcase HMC's ability to cross genres and meander into themes and situations that are unique and fresh.
MOUSE is a seer. She’s had a vision of a little boy’s death, and it’s someone she knows and loves. But how could a champion, junior nipper drown in a calm ocean when he swims better than most adults?
When a strange woman comes to town, her allure is undeniable, but something is off. Mouse’s visions are frequent and vivid, children she works with go missing, and the past, present, and future blur together. Her new enemy is a Bruja Del Agua – Water Witch, who not only drowns her victims, but tortures them for eternity.
With the help of her dead Aunt Catalina, her best friend, Trent, and a Wiccan called Anna, Mouse must use her power and wit to defeat the most powerful Bruja she’s ever seen.
HMC says - "I blog about asylum seekers, gay rights, tattooed professionals, robot dancing, baby poo, and so on … you know, the juicy stuff. I’m sometimes serious, but mostly not."
There is bohemian quality to HMC that I find really attractive. Her stories challenge a literary orthodoxy, presenting people and situations that far removed from mere "paint by numbers" genre pieces. They are absorbing and thought provoking.
HMC is most definitely, an author you should know.
Visit HMC here.
Goodreads HMC here.
Connect with HMC here.
Tweet HMC here.
DFA.
Tuesday, June 23, 2015
The Recipient - Sneak Preview
The following is an exclusive sneak peek from my forthcoming psychological thriller "The Recipient" which is due to hit bookshelves around the world on October 25th 2015.
In this scene, the protagonist Casey Schillinge, is trapped in a nightmare that has visited her over and over again in the 3 years since her life saving heart transplant.
I hope you enjoy it. I'd love to hear what you think...
It is happening...
Her body is grasped by a force unseen. It brings her into an upright position, then she feels herself descending.
The heart beats faster, louder.
Her naked skin twitches and shivers. Biting cold replaces the serene warmth. Clothing coalesces over her body: harsh denim that scratches her skin. A cotton, starched singlet that quickly becomes sopping. The wet clothing clings to her cold skin, and looking up, she realises it is raining.
Her bare feet touch onto a hard surface and she looks down, seeing bitumen all around her. She is standing on a road, a lonely outback road in some desolate wasteland that is unfamiliar. She looks around her, searching for a landmark, something familiar that will identify her surroundings. Another disembodied flash lights up the sky nearby and thunder rumbles across the thickening clouds. In that moment, she sees a road sign—not on the road before her, but in her mind’s eye. The lightning reflects off it so brightly, the lettering is too difficult to interpret. Squinting in the fading light, she tries to see.
‘Laster…’, is all she can make out before darkness swallows the image.
Searching around her, she tries to find the sign as it exists in her immediate environment. But it is nowhere to be seen.
Eruptions of light flash from within the cloud mass above. Rain falls harder, denser. It splashes against her skin and runs sticky, viscous like honey.
Dread seeps into her.
The thunder rumbles towards her again, carrying with it a deep, guttural moan that vibrates through her. Her breath quickens. For the first time, she is compelled to move.
She turns, stretches her legs, tries to run. But gravity bears down, making movements incredibly heavy.
A flash of light erupts and in the moment of disorientation that follows, she witnesses something: a scene from her mind plays out in front of her.
A lone figure, shrouded in shadow, stands there—an evil presence. Unnaturally tall, masculine but unidentifiable in the dissipating flash.
The low moan approaches, gaining in volume and pitch. It is filled with torment and pain.
FLASH!
The shrouded figure steps forward and slaps her with an outstretched hand. She crashes heavily to the road, opening wounds in her shoulder and legs. She cries out, but it is a silent cry. She tries to get to her feet but slips on the slick bitumen that streams with the falling rain.
The figure pounces, pinning her body to the road. She feels her hands being lifted above her head in the grip of the stranger who remains shrouded in darkness. Again, she cries out in pain as her hands are shoved against the road.
The figure sits back on its heels. With its free hand, it reaches out and hovers over them both for a moment. Then, balling it into a fist, the figure smashes it down, striking her chest with all the force it can muster.
FLASH!
She screams in horror as pain blossoms through her entire body.
The thunder and the moan meld into what is clearly a female voice. It cries out in terror. Is it her own voice?
The hands disappear into the cavity in her chest. Her fractured mind is inexplicably curious, despite her terror. She struggles against the grip of the figure. The bitumen tears at her skin as she flails impotently. The hands of the figure squelch about inside her. The moans grow more shrill now. They are wails. They are screams.
The viscous rain turns a deep, ruby red and she tastes the metallic flavour of blood. She lifts her head skywards. The sky is bleeding.
The screams become unbearable and in that moment, she realises that, it is she who is screaming.
The hand retracts from her chest and hovers above it. The assailant leans forward to show her the contents within. A disembodied cackle rips through the air, swallowing the horrified screams. Rivulets of crimson course down over a masculine jaw.
She is consumed by terror. Drenched in blood; too paralysed to move.
Then, suddenly, she is free.
She is now standing a few feet away from the figure, yet it is still straddling someone underneath.
She looks at her hands, blinking at them incomprehensibly. She cannot understand. She wants to turn and run but the figure’s silent magnetism holds her in thrall. The figure turns its face towards her, but the darkness shrouds its features.
The figure beckons with what is held in its hands.
She leans forward to see.
It is a heart. A beating and bloody heart, crawling with maggots so numerous that she can hear them squelching over the muscular tissue. A black slick oozes from the severed arteries and veins that feed into the disembodied organ and drip over the hands that hold it...
DFA.
In this scene, the protagonist Casey Schillinge, is trapped in a nightmare that has visited her over and over again in the 3 years since her life saving heart transplant.
I hope you enjoy it. I'd love to hear what you think...
It is happening...
Her body is grasped by a force unseen. It brings her into an upright position, then she feels herself descending.
The heart beats faster, louder.
Her naked skin twitches and shivers. Biting cold replaces the serene warmth. Clothing coalesces over her body: harsh denim that scratches her skin. A cotton, starched singlet that quickly becomes sopping. The wet clothing clings to her cold skin, and looking up, she realises it is raining.
Her bare feet touch onto a hard surface and she looks down, seeing bitumen all around her. She is standing on a road, a lonely outback road in some desolate wasteland that is unfamiliar. She looks around her, searching for a landmark, something familiar that will identify her surroundings. Another disembodied flash lights up the sky nearby and thunder rumbles across the thickening clouds. In that moment, she sees a road sign—not on the road before her, but in her mind’s eye. The lightning reflects off it so brightly, the lettering is too difficult to interpret. Squinting in the fading light, she tries to see.
‘Laster…’, is all she can make out before darkness swallows the image.
Searching around her, she tries to find the sign as it exists in her immediate environment. But it is nowhere to be seen.
Eruptions of light flash from within the cloud mass above. Rain falls harder, denser. It splashes against her skin and runs sticky, viscous like honey.
Dread seeps into her.
The thunder rumbles towards her again, carrying with it a deep, guttural moan that vibrates through her. Her breath quickens. For the first time, she is compelled to move.
She turns, stretches her legs, tries to run. But gravity bears down, making movements incredibly heavy.
A flash of light erupts and in the moment of disorientation that follows, she witnesses something: a scene from her mind plays out in front of her.
A lone figure, shrouded in shadow, stands there—an evil presence. Unnaturally tall, masculine but unidentifiable in the dissipating flash.
The low moan approaches, gaining in volume and pitch. It is filled with torment and pain.
FLASH!
The shrouded figure steps forward and slaps her with an outstretched hand. She crashes heavily to the road, opening wounds in her shoulder and legs. She cries out, but it is a silent cry. She tries to get to her feet but slips on the slick bitumen that streams with the falling rain.
The figure pounces, pinning her body to the road. She feels her hands being lifted above her head in the grip of the stranger who remains shrouded in darkness. Again, she cries out in pain as her hands are shoved against the road.
The figure sits back on its heels. With its free hand, it reaches out and hovers over them both for a moment. Then, balling it into a fist, the figure smashes it down, striking her chest with all the force it can muster.
FLASH!
She screams in horror as pain blossoms through her entire body.
The thunder and the moan meld into what is clearly a female voice. It cries out in terror. Is it her own voice?
The hands disappear into the cavity in her chest. Her fractured mind is inexplicably curious, despite her terror. She struggles against the grip of the figure. The bitumen tears at her skin as she flails impotently. The hands of the figure squelch about inside her. The moans grow more shrill now. They are wails. They are screams.
The viscous rain turns a deep, ruby red and she tastes the metallic flavour of blood. She lifts her head skywards. The sky is bleeding.
The screams become unbearable and in that moment, she realises that, it is she who is screaming.
The hand retracts from her chest and hovers above it. The assailant leans forward to show her the contents within. A disembodied cackle rips through the air, swallowing the horrified screams. Rivulets of crimson course down over a masculine jaw.
She is consumed by terror. Drenched in blood; too paralysed to move.
Then, suddenly, she is free.
She is now standing a few feet away from the figure, yet it is still straddling someone underneath.
She looks at her hands, blinking at them incomprehensibly. She cannot understand. She wants to turn and run but the figure’s silent magnetism holds her in thrall. The figure turns its face towards her, but the darkness shrouds its features.
The figure beckons with what is held in its hands.
She leans forward to see.
It is a heart. A beating and bloody heart, crawling with maggots so numerous that she can hear them squelching over the muscular tissue. A black slick oozes from the severed arteries and veins that feed into the disembodied organ and drip over the hands that hold it...
DFA.
"The Recipient" Copyright © 2015 Central Avenue Publishing & Hambledown Road Imprints.
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