Showing posts with label goblins. Show all posts
Showing posts with label goblins. Show all posts

Thursday, March 29, 2018

Dangerous Ideas - Fae vs. Human: Who Gets To Live In This Forest? A Guest Post By Molly Ringle

I have another awesome guest post for you this week from one of my favourite writers and people in general, Pacific Nor-Wester Molly Ringle. Molly has amassed quite a formidable CV over the past few years, writing in both the romance and fantasy genres. Molly's latest release "The Goblins Of Bellwater" has been critically acclaimed and praised for its melding of the real world and the fantastical and she has proven time and again to be nimble and adaptable across the genres she has written in. 

I recently asked Molly, if she would like to explore a dangerous idea - something that she has been wrestling with both in life and in her fiction. True to form, Molly has come through with the goods and I'm so pleased to be able to present it here for you today. 


Please do check out Molly's work and interact with her - especially if you're into tea, chocolate, perfume...and Goblins!


Molly Ringle, author (image credit Molly Ringle).

When Dean approached me with the notion of writing a post on “dangerous ideas,” my mind immediately brought up some themes that have arisen in my work-in-progress. As with my recent release The Goblins of Bellwater, this story deals with troublesome interactions between fae and humans, and also between different types of fae, and for that matter between different humans. (Nearly every novel deals with that last one, I suppose.) Even though I’m writing fantasy, the reason this idea came to mind as “dangerous” is because it unavoidably brings up the specters of colonialism and race relations—which is not at all what I intended to do. I wanted to make up paranormal adventures and escape our fractious world, for goodness’ sake. However, our world and its problems have an insidious way of slipping themselves into our fiction despite our conscious intentions.


The Goblins Of Bellwater - Available Now. (image credit Central Avenue Publishing).

In my novel-in-progress, I've created an island that, up until a certain point in history, was inhabited only by fae (faeries of many types). The fae eventually let some humans ashore and allowed them to settle there, because they found humans intriguing; they brought novelty and different culture and, for that matter, new potential lovers. However, as inevitably happens in these situations, some of the fae came to resent the growing population of humans, living upon what had been the fae’s land. And violence between the groups escalated until a truce was called, but even that truce remains precarious. (And you just know I’m going to tip it over in my story.)

On the surface, to many observers, including some of my human characters, the anti-human fae are entirely in the right: this was fae land originally. Humans should clear out. On the other hand…yes, the fae are essentially sentient forces of nature, so they are truly tied to the land, but are humans not part of nature too? If humans treat the land and their fae neighbors with respect, can’t they stay? Humans belong to the Earth too, after all. They have to live somewhere. And what of those who are the product of interbreeding, and are half fae and half human? Where do they belong? 


Goblin "Wolf Riders" (artist Adrian Smith.)

(I’m American, and my ancestors have lived here for several generations, but we’re not of Native American stock, therefore I can’t exactly say the U.S. is my “real” home. However, surely if I went to Ireland, England, Scotland, Germany, France—the lands of my ancestors—the natives of those countries would tell me I was most definitely an American and didn't belong there either. Do I and the many, many other mixed-breed, transplanted people of the world not have any “real” homeland? Do we need a real homeland, or is that in itself a dangerous idea, in that it can promote territorialism and tribalism? 

When I start putting the questions that way, I quickly see how they might qualify as controversial or dangerous—even when, honestly, I’m talking about faeries, not about different human ethnicities. I also see that I am not going to be able to answer these questions definitively, nor should I. In fact, it scares me a little, the idea of tackling themes like this, as they could easily be taken the wrong way or given interpretations I would never intend. But people say that if a project scares you, you’re probably on the right track, so I’ll keep tussling with this island and its turbulent relationships. 

The one-word theme guiding me, which I hope will keep me out of too much trouble, is “harmony.” Because that’s the only conclusion, the only goal, I can truly get behind: we are a world becoming more mixed and more mobile every day, and yes, that stirs up turbulence, not to mention it disturbs the natural ecosystem. But I can’t help believing that we can handle this; we can find a way to live together in harmony, and honor the land rather than possessively own it. 

Mind you, there are still some swamps and forests and volcanoes where highly treacherous fae live, and we might not be able to change their behavior, so you might just want to go on avoiding those.


Visit Molly Ringle here.

Tweet with Molly here.

Connect with Molly here

DFA. 

Monday, August 28, 2017

For Goblins Do The Bells Toll - A Look At The Goblins Of Bellwater by Molly Ringle.

The Goblins of BellwaterThe Goblins of Bellwater by Molly Ringle

My rating: 5 of 5 stars

Most people have no idea goblins live in the woods around the small town of Bellwater, Washington. But some are about to find out. 

Skye, a young barista and artist, falls victim to a goblin curse in the forest one winter night, rendering her depressed and silenced, unable to speak of what happened. Her older sister, Livy, is at wit’s end trying to understand what’s wrong with her. Local mechanic Kit would know, but he doesn't talk of such things: he’s the human liaison for the goblin tribe, a job he keeps secret and never wanted, thrust on him by an ancient family contract.

Unaware of what’s happened to Skye, Kit starts dating Livy, trying to keep it casual to protect her from the attention of the goblins. Meanwhile, unbeknownst to Kit, Skye draws his cousin Grady into the spell through an enchanted kiss in the woods, dooming Grady and Skye both to become goblins and disappear from humankind forever.


It’s a midwinter night’s enchantment as Livy, the only one untainted by a spell, sets out to save them on a dangerous magical path of her own.

I had the opportunity to read an early version of The Goblins Of Bellwater by Molly and this forms the basis for my review.

The Goblins Of Bellwater, in many ways, marks a significant left turn for Molly Ringle after the rather epic Chrysomelia Stories. True to her talents as a story teller, and a nimble one at that, Molly Ringle returns with a one shot novel that, it could be argued, packs just as powerful a punch as her re-imagining of the Persephone mythology.

Taking inspiration from the works of Christina Rossetti and the visual genius of Brian Froud, The Goblins Of Bellwater offers a fantastical premise, complete with an ancient curse and a hidden population of goblins, which Molly injects seamlessly into a contemporary Pacific North West setting.

The balancing act from the very beginning of this story is perfect and, through the character of Skye - the victim of that curse - we are invested, experiencing her terror and helplessness as she endures it from behind a veil. Likewise, her sister Livy is a vividly drawn character, struggling to cope with something she interprets as something far removed from dark magic, but a something that is no less frightening. Into the mix, comes Kit, an unwilling witness to the machinations of the Goblins, while his cousin Grady, who falls for Skye in the midst of her ordeal, is unwittingly drawn into a conflict that threatens both his and Skye's very existence. Livy's trajectory in the story is, perhaps, the most compelling as it is she who has to find courage and the resources to confront this ages old curse as well as a tribe of beings who have only ever existed in imagination.

The Pacific Northwest, once again, leaps from the page in all its color and life and vibrancy, and I had no trouble immersing myself in a place that I can see is very special to Ringle. And, as she did with her Chrysomelia Stories, Ringle takes an established mythology and turns it on its head, resulting in fresh storytelling that crackles anew and surprises and delights.

The Goblins Of Bellwater is Molly Ringle at her fantastical finest.

The Goblins Of Bellwater hits bookshelves on October 1st 2017.


Molly Ringle (image credit: the author).

Molly Ringle was one of the quiet, weird kids in school, and is now one of the quiet, weird writers of the world. 

She likes thinking up innovative romantic obstacles and mixing them with topics like Greek mythology, ghost stories, fairy tales, or regular-world scandalous gossip. She's into mild rainy climates, gardens, '80s new wave music, chocolate, tea, and perfume (or really anything that smells good). 

She has lived in the Pacific Northwest most of her life, aside from grad school in California and one work-abroad season in Edinburgh in the 1990s. (She's also really into the U.K., though has a love/stress relationship with travel.) She currently lives in Seattle with her husband, kids, guinea pigs, and a lot of moss.

DFA.

View all my Goodreads reviews