We Have To Talk About Fandom - Why I Love That My Snoke Theory Sucks

Pop culture fandom is an interesting beast. The public discourse, examining the minutiae of today's pop culture franchises is, at once, something wonderful and engaging. At the same time it can be overwhelming and potentially fraught. There are a lot of competing interests in this most particular of realms. Competition for attention, competition for ideas and competition for a kind of supremacy of influence over the fandom of a franchise.

In the past week, I have observed a disturbing discourse in an area of Star Wars fandom that illustrates a gross misunderstanding of the love of the franchise. 

It all begins with a bumper sticker.

(image credit: Steele Saunders.)

When Star Wars: Episode 7 - The Force Awakens burst onto cinema screens in December 2015, heralding the return of the much loved franchise, Star Wars fans were elated with the cinematic triumph. In the three years since it was announced by Lucasfilm that Star Wars would be returning to the screen, fan communities - already energized with anticipation and reveling in the pre-release fervor that traditionally accompanies a Star Wars film - responded to the return of Star Wars with an outpouring of gratitude and renewed vigor that fed into their various communities. Once again, Star Wars had become a part of the pop culture consciousness. 

In the aftermath of the release, conversations, fan theories, debates and discussions took place that actually made social media something worth engaging with again. The discourse was (and is) lively, it attracted new fans to the franchise and it opened up opportunities for people to connect with like minds and enhance their love for Star Wars. 

Sure - at times, the conversations and fan theories, have taken on a life of their own - a life as big and as bold as the franchise itself. People, understandably, get excited and they want to express their point of view. That's okay. It's a part of being a pop culture fan. Except when the discussion becomes fractious. 

The viral meme "Your Snoke Theory Sucks", the brain child of Melbourne comedian Steele Saunders was born out of the fervent discussion around who the chief antagonist in the new Star Wars trilogy might be. 

(image credit: Steele Saunders.)

Designed as an affectionate "dig" at the sometimes over-blown discourse over a character that is designed to be intentionally ambiguous, "Your Snoke Theory Sucks" encourages fandom to have a laugh at itself and, perhaps, to take a little hot air out of the Snoke debate. It has become a viral meme, a bumper sticker, a T-Shirt and a key to one of the most welcoming communities of fandom I've ever been in.

Let me explain this. 

Australians are known for their sense of humor. It is laconic, insightful and it is generally built on a healthy foundation of affection. We often express our love for something with a kind of back handed compliment - with a wink and a smile whereby we trust in the intelligence of others to interpret our real intent and acknowledge it with a cheeky tap on the nose that says "I see what you did there."

"Your Snoke Theory Sucks" is a perfect example of this kind of laconic humor. It is not malicious nor intended to be a serious put down of anyone. In fact, it has contributed to the discussion of fan theories around Supreme Leader Snoke. And it has found favor across Star Wars fandom - even crossing over into the Star Wars production community itself with notable figures such as Episode 8 director Rian Johnson and Ahsoka Tano voice artist Ashleigh Eckstein getting in on the fun.

(image credit: Lucasfilm.)

But some in the Star Wars fan community have taken exception to the meme, misunderstanding its intent and they have attacked the creator with accusations of bullying and gate keeping. They have failed to see the affection with which "Your Snoke Theory Sucks" has been delivered and they have refused to engage in a discussion about the intent of the meme. Instead, they have pursued an argument that aims to divide and alienate. 

Steele Saunders is one of the most engaging and welcoming Star Wars fans I've had the pleasure to meet and interact with. Through his podcast "Steele Wars" and his associated social media presence, Steele has fostered a community of inclusion and engagement where people are free to express their love for Star Wars and debate, respectfully, the minutiae of Star Wars culture. Steele has opened me up to a community of fans who are among the most likable, loyal, friendly and engaging I've ever met and we're all indebted to Steele for facilitating our connection. 

And we get the joke. 

We get what "Your Snoke Theory Sucks" really is. It has become a means of connecting, of coming in through the doors of Star Wars fandom and it encourages us to not take ourselves too seriously. It is a love letter to Star Wars by fans, for fans.

I feel sad for those who don't get it.

Connect with the Steele Wars Star Wars fan community here.

DFA.  

The Force Has Awakened: My Take On The Return Of Star Wars.

Regular readers of this blog, as well as those who know me well, know how much of a Star Wars fanboy I am. For me, Star Wars has been a fixture of my life - arguably a defining part of my life - since my father took me to see the very first Star Wars in 1977 as a four year old. 

Star Wars has been there for me during some of the best moments of my life and some of the worst. It's a friend to me.

This past Saturday, I felt privileged to continue a tradition started by my father when my son Xavier (9 years old) and I went along to see Star Wars: The Force Awakens here in Adelaide. The significance of the moment was not lost on me and Xavier agreed that this was a pretty special day for us both.

So, given that there has been a 32 year absence of the key characters and situations that captured my imagination as a kid, how did I feel being drawn back into that galaxy far, far away?

Star Wars: The Force Awakens is nothing short of a master piece.

It successfully captures the spirit of the original films and unashamedly tosses in a number of call backs to those films which inspire nothing but affection. The Force Awakens has an energy and a sense of fun that graciously recalls the spirit of the original trilogy and it also - albeit it subtly - offers nods to the prequel trilogy, acknowledging its historical importance in shaping galactic events and characters in this third age. Guided by the stellar direction of J.J. Abrams, the story telling by Lawrence Kasdan, Michael Arndt and J.J. Abrams and the visuals captured by Dan Mindel, the production of The Force Awakens dispenses with the sterility of the prequels both in terms of direction, story and visuals and returns us to a kind of Star Wars that is immediately engaging, robust in it's story arcs and tactile in its visuals.  

The film is primarily geared towards introducing a new cast of characters in order to drive the story forward anew but this new cast is satisfyingly enmeshed with the legacy of the original cast and it is one of the most successful examples of this kind of story telling I've seen in recent years.

While I had high hopes for the new cast, Daisy Ridley, John Boyega, Oscar Issac, Adam Driver, Domnhall Gleeson et. al, never in my wildest dreams did I expect them to offer what they did. 

(image credit: StarWars.com)

Daisy Ridley, as the enigmatic Rey, carries the film. She is a actor who infuses her character with wit, intelligence, charm, guts, strength and gravitas. Make no mistake, the efforts to bring strong female characters to the Star Wars universe has been fantastic in recent years, but Ridley's Rey wipes the floor with her performance. I would go as far as saying that Rey outshines Leia. 

John Boyega, as a conflicted and defecting First Order Stormtrooper Finn, brings an infectious sense of fun to the film - as well as moments of poignancy, courage, loyalty and quick wit. As was hinted at in the trailer, Finn is a young man who realizes that the cause he has been raised for is not the cause he wants to be a part of and this is established early in the film in one of the first scenes that evoked an emotional response in me. It is a brief moment when one of his squad mates is shot dead during an intense fire fight. Ridley's and Boyega's scenes together give a clear indication of the strength of their off screen friendship and it translates clearly into the fictional space.

(image credit: Movieweb).

Oscar Issac Poe Dameron - a roguish Resistance X-Wing pilot- is the heart throb element of this new set of principal actors and the character who I compared the most with a certain classic "rogue". Issacs' scenes are smaller but essential to the story. He brings to them an old school sense of heroism and I couldn't help but be reminded of the old Kenneth More films like "Reach For The Sky" & "A Night To Remember" whenever I saw Poe on screen. 

(image credit: Wikipedia).

(image credit: Star Wars.com).

Adam Driver's Kylo Ren turned out to be one of the biggest surprises for me in the film and how his story ties in with the Star Wars legacy will be thee thing to observe as the new trilogy unfolds. Driver's Ren is satisfyingly psychopathic, chaotic and as dangerous as any antagonist I've ever witnessed in the Star Wars universe and I am so pleased that the build up we got to this character paid off so handsomely in the finished film. 

(image credit: StarWars.com)

Domnhall Gleesons' General Hux, while a much smaller role than I expected, delivered one of the most underratedly powerful moments of the film where he delivers a Hitler-esque speech that took my breath away. I have long been a fan of Gleeson - going back to his performance in 2012's "Dredd" and he delivered a memorable piece of acting that cements my opinion of him.

And then there is the legacy cast of Harrison Ford, Carrie Fisher, Mark Hamill, Peter Mayhew and Anthony Daniels. 

(image credit: SDCC International.)

Well Harrison Ford and Peter Mayhew as the classic double team of Han Solo and Chewbacca steal the show in what I think is their best performance together. They steal every scene that they are featured in and within those scenes it is actually Mayhew who runs perilously close to stealing Ford's thunder. Chewbacca is a character that relies so much on non verbal cues to convey emotion and Mayhew is able to do that from behind the mask so convincingly. His big eyes and the subtle movements he makes with the mask are just wonderful to behold. 

Harrison Ford brings 30 years of unknown story to Han Solo in a way that feels so right that it's ridiculous. In a few short moments after his reintroduction, we are brought up to speed with his story - not necessarily through the story itself, but in the physical appearance of Solo, the way he carries himself, the graveliness of his voice. And, as the wider story of The Force Awakens unfolds, we bear witness to a surprisingly robust tale of love and loss that orbits Han Solo which makes his trajectory in the film one of the most emotional I think I've ever seen in a Star Wars film. 

Carrie Fisher's return as Leia Organa-Solo - the General is a really satisfying one. I was one of those who was concerned with just how her performance might play out but I need not have been. Fisher brought back that same pluck, dedication and humor we all know of Leia. And yet, Organa-Solo is older and wiser and war weary too. Fisher doesn't shy away from portraying that. Her history in the aftermath of Return Of The Jedi, so entwined as it is with Han Solo as we'd all hoped it would be is one of the best qualities of the story. The moments she shares with her estranged husband and Daisy Ridley's Rey are beautiful and affirming. 

Mark Hamill's return as Luke Skywalker is one of the briefest returns ever seen for such an iconic character but, in the short time he appears on screen, Hamill delivers something undeniably powerful - and just in facial expressions! A whole gamut of emotions passes across his wearied visage in those moments that hint at a powerful backstory that will unfold in Episode's 8 and 9.

John William's score for the film is as much a character within the film and it is a victorious return for Williams whose previous entries into Star Wars lore during the prequel era suffered from a creative lethargy that typified those films. And that's not to say that there wasn't memorable moments in those scores. I still regard Duel Of The Fates from Episode 1 and Anakin vs. Obi Wan from Episode 3 as stand out moments from the prequels. The score here in The Force Awakens is dynamic, emotive, rousing and fun. It is clear that Williams had fun with the music and I am so glad that it is Williams who guided that most essential of ingredients for cinematic Star Wars. 

And yet, with all of this praise for the film, you're probably not going to believe this but, I did not think that The Force Awakens was a perfect film. I did actually have problems with it. 

Max Von Sydow's appearance in the film was one that was highly anticipated from the moment his casting was announced and the fan community discussion ran wild with speculation as to who he might play. At one point, it was even suggested that he might play the notorious bounty hunter Boba Fett. In the end, his role was ridiculously small and confined to just a few moments in the opening of the film. While I can appreciate the story motivation for the presence of his character - THIS WAS MAX VON FREAKING SYDOW!! I came away wishing that he was somehow more connected to Rey - maybe as a Ben Kenobi styled guardian - but the character of Lor San Tekka (Sydow) was essentially a throw away one and a huge disappointment for me. 

Gwendoline Christie's Captain Phasma, the silver armored First Order Stormtrooper, sent fans into the stratosphere when her casting was announced and her character was detailed both on paper and visually. However Phasma turned out to be one of the least compelling characters in the film. She just wasn't given that much to do and, while she wasn't consigned to an inglorious demise (a'la Boba Fett in the original trilogy), Phasma turned out to be not all that compelling. I do have hopes that her role will be expanded in the next film but, here in The Force Awakens, I wasn't impressed with Captain Phasma. 

When the first teaser trailer premiered earlier in the year at Star Wars Celebration, the moment when Han Solo and Chewbacca appeared on screen in the famous "We're Home" scene at the end of that trailer was, arguably, the greatest moment in Star Wars history. It packed an emotional punch that reduced me to joyful fanboy tears in among all of the thousands of fanboy and fangirl tears all around the world. Well, that scene - as it was presented in the final film - WAS NOT the same scene from the trailer. Sure, it was an approximation of the same scene but it was a different take altogether, one that lacked the gravitas of the one seen in the trailer. I'll go further and say that there were many scenes in that trailer as well as the subsequent trailers that were either different takes in the final film or they were missing altogether. So much of my anticipation for this film was built on those trailer scenes so to have them missing from the final product was a disappointment. 

(image credit: Amazon).

In processing the film since I saw it on Saturday, I purchased Alan Dean Foster's novelization (on Kindle) and started reading it that night. 

I have to say, the novel is an amazing companion to the film because it fleshes out a lot of things that were hinted at but not expressly put out there. One thing that has become abundantly clear to me - and I can't believe I'm saying this - is that the politics of the post Jedi Galaxy are actually fascinating. In the novel, we get an expansion - through Leia's eyes - on why the Resistance exists, where they stand with the Republic and, how Leia Organa-Solo is seen by the Republic. I can sort of understand why they couldn't include all of it in the film but man, I reckon another 15 minutes would probably have helped without bogging down the narrative

But that's it. 

Star Wars: Episode 7 - The Force Awakens is a stunning rebirth of a franchise that I admittedly thought could not be resurrected. Back in 2012, when the deal between George Lucas and Disney was announced, I was one of those people who actually said "What the Fuck???" I could not see how they would be able to pull it off. Leaving the theater on Saturday afternoon, I could not believe that I had ever thought that way. 

Abrams The Force Awakens is a brash and bold piece that seamlessly continues the legacy of Star Wars. It acknowledges the history of the originals and it's prequels and it catapults us all forward into a third age filled with promise, thrills and spills, tragedy and triumph. But most of all...

...Hope.

DFA.

P.S. - Two podcasts that I highly recommend if you're wanting to understand the underlying themes of the film are Steele Wars' post screening show and Full Of Sith's round table discussion of the film. Click through to each via the images below. 

Unpacking The Aftermath - Star Wars: Aftermath by Chuck Wendig.

Aftermath by Chuck Wendig

My rating: 4 of 5 stars

The second Death Star is destroyed. The Emperor and his powerful enforcer, Darth Vader, are rumored to be dead. The Galactic Empire is in chaos.

Across the galaxy, some systems celebrate, while in others Imperial factions tighten their grip. Optimism and fear reign side by side.


And while the Rebel Alliance engages the fractured forces of the Empire, a lone Rebel scout uncovers a secret Imperial meeting… 

I approached Chuck Wendig's Aftermath, the first post Return Of The Jedi title in the new Star Wars canon, trying to suspend as much expectation as I could. I was never a huge Expanded Universe geek. I did read some of the titles therein. Some were good but a lot were terrible so, I was one of those who treated the news of the relegation of the former Expanded Universe to Legends status with relief.

There has been a lot riding on this novel as a result. I was aware of the early reviews coming out about it and I was a little trepidatious but I chose to ignore anything Aftermath related until I could actually sit down and read it for myself.

Nana Mayes bought me Aftermath for my birthday a couple weeks ago.

Having turned the final page over the weekend, I've gotta say, this is some of the best Star Wars fiction I have read in years. The story is unexpectedly original. It was suggested to me to go into the story with a keen eye on the machinations of the fractured Empire after their defeat at Endor and, that turned out to be one of the most fascinating threads in story. How the Imperial Remnant and their command structure try to regroup is explored with a keen eye on personality and those character traits that drive ambition and a lust for power in face of defeat and I really liked that. It was bold and Wendig pulls it off easily.

I was reminded of a 'what if' scenario I remember reading about a while back where the idea was posed -"what if the command structure of Adolf Hitler's Reich escaped Germany at the conclusion of WW2 and gathered in South America a'la Boys From Brazil to plan for a strike back?"

The absence of key Star Wars characters in Aftermath turns out to be not at all disappointing (although there are some exciting hints as to what the major players are upto via the Interludes that pepper the story). The focus for Aftermath is on a rebel pilot and freedom fighter Norra Wexley who returns to the planet Akiva in the hopes of reconciling with her estranged son Temmin.

This relationship and it's command over the narrative was one that I found powerful and involving. With the addition of a turncoat Imperial Officer and a dislocated Bounty Hunter, they become a ragtag team intent on repelling the Imperial Remnant from that planet. They are an attractive team, filled with nuance and contradiction and, for the first time in a long time, they are a cast worth investing in. I really came to like these protagonists.

Wendig's style is also something completely new for a Star Wars novel. It is told in the third person/present tense and what this does is it makes the story really immediate and easy to access visually. It achieves a cinematic quality, essential to Star Wars fiction, by dropping you right into the action in way that makes you feel you're embedded in it - like a documentary film maker. It works. It totally works and I look forward to seeing more of this style from Wendig in the two sequel novels that have been slated.

Possibly my most favorite aspect of Aftermath was the inclusion of a series of Interludes throughout the story. These Interludes break up the central story and provide a glimpse into events that are occurring all across the galaxy in the wake of the Alliance triumph at the Battle of Endor and they feature characters - both familiar and unfamiliar - who react to galactic events in interesting ways. Potentially, these could have been a distracting element but I found them informative and tantalizing. I saw these as clues, hinting at what is to come for the galaxy, The Alliance and The Imperial Remnant as we approach the cinematic release of The Force Awakens.

Star Wars: Aftermath is an important title in the Star Wars canon. It is also perhaps one of the most successful titles. Aside from its engaging story, its well rounded cast and satisfying settings, Aftermath is actually a thought provoking study in war and what happens at the conclusion of a major conflict. There are real world analogies throughout the book which one could readily look up and indeed, I spent a little time afterwards doing just that.

Chuck Wendig's Aftermath is a masterful piece of Star Wars fiction.

DFA.

View all my reviews

Talking Star Wars & Revenge Of The Sith With Jogcast Radio.

On Sunday afternoon Down Under, I guested on Australian Star Wars and pop culture podcast Jogcast Radio with Adam P. O'Brien in which we recorded an epic film commentary of Star Wars: Episode 3 - Revenge Of The Sith. 

As part of Jogcast Radio's "brutally honest" podcast series on the prequel trilogy, we dissected the final film in the trilogy with a critical surgeon's knife but, at the same time, we unavoidably affectionate. Adam marveled at how Ewan McGregor carried his character, we both agreed that Ian McDiarmid should have been nominated for an Academy Award and I defended Hayden Christensen way too much.

This commentary was just one part of a massive 4 and a half hours of ‪Star Wars audio goodness featuring a cast of Australian ‪‎fan boy Rogues including Ryan Stampfli and 'My Saga's' Adam Harris.

Oh & during the episode, I dropped a massive bit of news about my upcoming novel "The Recipient".

Download the episode here. (Right click and Save As...)

Check out Jogcast Radio on iTunes here.

Connect with Adam P. O'Brien here. 

DFA.

Check out The Unfortunate Irishman by Alan R. Ryan - available now for Kindle.